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_900x900.jpg "Egyptian Body of Anubis Glass Inlay")
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LOT 0477
Egyptian Body of Anubis Glass Inlay
LATE PERIOD-PTOLEMAIC PERIOD, 664-30 B.C.
3 3/4 in. (110 grams, 96 mm).
With gently curved obverse and flat reverse, section of an inlay depicting Anubis, with thick neck and beginning of extended foreleg. [No Reserve]
ProvenanceAcquired on the French art market, 1980s.
with Bonhams, London, 13 April 2011, lot 21.
Accompanied by copies of the relevant Bonhams catalogue pages.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Smith, S., ‘A Glass Figure of Anubis,’ The British Museum Quarterly, Vol. 10, No. 3 (Mar., 1936), pp. 118-119 and pl. XXXII, no. I, for a complete example in black glass.
FootnotesThis coloured glass inlay depicts Anubis, the jackal-headed god of mummification and protector of the dead. Likely part of a coffin or shrine, it demonstrates the use of glass to imitate precious materials in elite funerary art. The figure’s profile and predominantly black colour evoke Anubis’s role in preservation and the afterlife.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Pendant plaque of male genitals with loop above. 1.08 grams, 17 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Limestone Bas-Relief Panel of Ptah Presiding Over the Smelting of Metals
Old Kingdom, 5th Dynasty, 2498-2345 B.C.Estimate: £80,000 - 100,000 (+bp*)
Opening Bid: £40,000
This expertly carved high-relief scene depicts three male figures with short hairstyles, each wearing a short kilt tied at the waist; the left and central figures carry a small furnace by curved handles, preparing to smelt copper; the central figure also holds a metal poker in his free hand; the figure on the left supports a large container at chest level with one hand; finely rendered hieroglyphic inscriptions in front of each figure record a dialogue among the three metalworkers; the leftmost figure, facing the others, declares “Ptah could not have done better”; the central figure responds with three lines of text “Ptah loves him to pour (into) the brazier of the flame”; the inscription before the rightmost figure reads “copper of the baskets”; together, the second and third texts may be interpreted as “Ptah would love him to pour copper from the baskets into the furnace”; the composition likely formed part of a larger scene illustrating metalworking activities; supplied with a custom-made stand. 21.35 kg total, 53.5 cm wide including stand
with Toufic Arakji, Hamburg, by circa 1980. Private collection, acquired from the above, circa 1980-1994. with Sotheby’s, New York, Antiquities and Islamic Art, 8 June 1994, no.23. Private collection, 1994-2010, acquired at the above sale. with David Aaron, London, UK, 2010-2011. with Daniel Katz Gallery, London, UK. UK private collection. Accompanied by an academic report by Egyptologist Sylvie Caroff. Accompanied by a copy of an Art Loss Register certificate no.S00142449. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The mention of Ptah – patron god of craftsmen – links this piece to Memphis, suggesting it came from the tomb of a high-ranking official or priest. -
Egyptian Terracotta Cylindrical Jar
Early Dynastic Period, Naqada IIIC, circa 3100 B.C.Sold for (Inc. bp): £520
Band of imitation rope-twist decoration encircling the top of the jar, the mouth slightly flaring with a slightly damaged rolled lip. 950 grams, 22 cm
with Bonhams, London, 1 May 2008, no.432 [Part]. Accompanied by a copy of an Art Loss Register certificate no.S00035996. Accompanied by a copy of relevant Bonhams catalogue pages. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
These vessels often exhibit different surface treatments; the rim and area above the rope twist show marks where the vessel was rotated to produce the rim, and below, the rest of the jar has a scrape-smoothed surface.
