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LOT 0477
Egyptian Body of Anubis Glass Inlay
LATE PERIOD-PTOLEMAIC PERIOD, 664-30 B.C.
3 3/4 in. (110 grams, 96 mm).
With gently curved obverse and flat reverse, section of an inlay depicting Anubis, with thick neck and beginning of extended foreleg. [No Reserve]
ProvenanceAcquired on the French art market, 1980s.
with Bonhams, London, 13 April 2011, lot 21.
Accompanied by copies of the relevant Bonhams catalogue pages.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Smith, S., ‘A Glass Figure of Anubis,’ The British Museum Quarterly, Vol. 10, No. 3 (Mar., 1936), pp. 118-119 and pl. XXXII, no. I, for a complete example in black glass.
FootnotesThis coloured glass inlay depicts Anubis, the jackal-headed god of mummification and protector of the dead. Likely part of a coffin or shrine, it demonstrates the use of glass to imitate precious materials in elite funerary art. The figure’s profile and predominantly black colour evoke Anubis’s role in preservation and the afterlife.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Glass Eye Inlay Pair
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £208
The sclera white and the iris black. 4.12 grams total, 27-29 mm
Acquired on the UK art market, 1977-1979. Private collection, London. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Egyptian coffin eye inlays were both decorative and symbolic, intended to make the coffin appear lifelike and assist the deceased in the afterlife. Typically, they featured a white sclera (glass, travertine, alabaster or quartz), a dark iris (glass or often obsidian), and sometimes red paint at the inner corner. The eyes were often set in bronze or copper frames, occasionally with faience or bronze eyebrows. -
Egyptian Wooden Shabti with Hieroglyphic Inscription
New Kingdom, late 18th-19th Dynasty, circa 1350-1200 B.C.Sold for (Inc. bp): £3,120
Carved in the round with a detailed tripartite wig, segmented collar, and seed bag across the back, the figure has hands crossed at the chest, each holding a hoe, and wrists adorned with bracelets; eight bands of hieroglyphic text encircle the lower body, interrupted by a vertical column at the front, running from midriff to feet; mounted on a later copper base. 147 grams, 23 cm
From the collection of Mrs Kilvert, who fled from France to England during the French Revolution. Received by gift to the Hodge family from Mrs Kilvert at Bath in 1864-1865; thence by descent to the grandchildren of Mr John Hodge, a private London tutor. From the collection of a New Zealand family; thence by descent. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12845-239091. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Steatite Scarab Collection
New Kingdom-Late Period, 1550-332 B.C.Sold for (Inc. bp): £312
Designs include: a line border encloses the standing figure of a falcon-headed deity wearing a sun disc and uraeus, standing before the hieroglyphs user, Maat, Re, setep, n, Re); a line border enclosing n, cobra, nefer, and neb signs; a line border enclosing numerous hieroglyphs, including those spelling the throne name of Thutmose III (men-kheper-Re); a falcon; and two plain scarabs. 13.18 grams total, 10-21 mm
From a London collection, 2000s, some previously ex Mustaki collection pre 1950. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The design of the first scarab incorporates Ramesses II’s throne name ‘the justice of Re is powerful, chosen of Re (user-Maat-Re setep-n-Re)
