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_900x900.jpg "Egyptian Body of Anubis Glass Inlay")
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LOT 0477
Egyptian Body of Anubis Glass Inlay
LATE PERIOD-PTOLEMAIC PERIOD, 664-30 B.C.
3 3/4 in. (110 grams, 96 mm).
With gently curved obverse and flat reverse, section of an inlay depicting Anubis, with thick neck and beginning of extended foreleg. [No Reserve]
ProvenanceAcquired on the French art market, 1980s.
with Bonhams, London, 13 April 2011, lot 21.
Accompanied by copies of the relevant Bonhams catalogue pages.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Smith, S., ‘A Glass Figure of Anubis,’ The British Museum Quarterly, Vol. 10, No. 3 (Mar., 1936), pp. 118-119 and pl. XXXII, no. I, for a complete example in black glass.
FootnotesThis coloured glass inlay depicts Anubis, the jackal-headed god of mummification and protector of the dead. Likely part of a coffin or shrine, it demonstrates the use of glass to imitate precious materials in elite funerary art. The figure’s profile and predominantly black colour evoke Anubis’s role in preservation and the afterlife.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Phoenician Glass Bead Collection
6th-3rd century B.C. or laterEstimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
Comprising a group of crumb-decorated polychrome oblate beads and a centrepiece pendant formed as a stylised bearded head. 179 grams total, 12-42 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Phoenicians, renowned seafarers and traders, were also skilled glassworkers. They produced a wide variety of glass beads using core-forming and winding techniques, with vivid colours and elaborate designs that reflect both technical mastery and cross-cultural influence. Among the most iconic Phoenician beads are glass 'head' beads, crafted in the form of stylised human or mythological faces. Typically, they feature exaggerated facial details like bulging eyes, large noses, beards, and headdresses, often with expressive or comic features. They were possibly worn as amulets to ward off evil or attract protection, though they may also represent deities, ancestors, or foreigners. These beads often incorporate Egyptian, Greek, and Near Eastern stylistic elements, reflecting the Phoenicians’ extensive trade networks. -
Lead-Glazed Ribbed Glass Amphora
Parthian, 3rd-1st century B.C.Sold for (Inc. bp): £117
Squat in profile with ribbed sidewall and scooped foot, trumpet-shaped neck and mouth flanked by two thick loop handles. 104 grams, 95 mm
Ex London, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Historic Collection of 825 Slides of Archaeological Objects From Egypt
1960s-1980s A.D.Sold for (Inc. bp): £1,040
Housed in five linen-covered boxes, covering regalia, jewellery, chariots, daggers, bows, sticks, Old Kingdom sculpture, Saite sculpture, canopic, sarcophagi, Middle Kingdom and general objects etc. 4.43 kg total, 26.5 x 16.5 x 6.5 cm each box
Property of archaeologist Stephanie Gee, N.W. London, UK, 1960s-1980s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Stephanie Gee was a prominent archaeologist who took part in several expeditions in Egypt. She was a trusted assistant to the British-Australian archaeologist Veronica Seton-Williams, who excavated in Egypt, Britain, and the Near East. Stephanie also took part in the Tell El-Farâ'în expeditions of 1965-1968, and assisted Seton-Williams with preparing the 1966 expedition report. Their collaboration continued and Stephanie helped with the manuscript of Seton-Williams’ book ‘The Road to El-Aguzein’, a narrative account of her life that was first published in 1988.
