Egyptian Blue Glazed Faience Shabti Figure

Depicting in high-relief the Osirian triad (Isis, Horus, Nephthys) standing side by side on an integral plinth against a dorsal pillar; Nephthys (right) and Isis (left) are shown frontally, wearing headdresses with their specific attributes, each holding the hands of the central Horus figure, shown naked and with the side-lock of youth; a ribbed loop at the top for suspension. 8.56 grams, 33 mm



From the collection of a Swedish noble family, 1920s.

Isis and Nephthys operate as complementary sister deities who guard both Osiris and the deceased through mourning, magical protection, and ritual lamentation, while Horus, the child of Isis, signifies renewal and legitimate kingship. On amulets, the triad translates into a compact visual statement of protection: the deceased is imagined as being held within the sisters’ magical and ritual care, while Horus embodies the successful outcome of that protection in the form of rebirth and continuity.

A mixed group of amulets, including scaraboids, a crocodile, three fists, a frog, a fly, and others. 12.46 grams total, 7.60-22.07 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

Gold chain of double-looped links terminating in corrugated end elements, with hook-and-eye clasp; suspension ring embellished with applied granulation and a ribbed loop; hollow-formed sheet-gold pendant in the round depicting Harpocrates seated, his right forefinger raised to his mouth, wearing a finely detailed nemes headdress surmounted by a complex hemhem, crown incorporating multiple hedjet elements, flanking uraei, and ram's horns. 49.80 grams, 40.5 cm



Ex Elie Boustros collection, Lebanon. Private collection, acquired in the late 1980s-early 1990s; thence by descent. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13203-249297.

The fully three-dimensional modelling of the pendant aligns it with a group of high-quality Roman-period Egyptian goldwork characterised by pronounced plasticity and sculptural ambition. A pertinent comparison may be drawn with the gold diadem depicting Serapis from the Dush Treasure, discovered concealed within the wall of a Roman fort in the Baris Oasis (Reddé, M., Douch IV. Le trésor de Douch, DFIFAO 28, Cairo, 1992). That assemblage, plausibly associated with a nearby temple of Serapis and Isis, demonstrates a similarly bold treatment of divine imagery in precious metal. Comparable small-scale representations of Harpocrates in gold - often amuletic in function - are known from Roman Egypt, though examples combining such intricate crown iconography with fully rounded modelling remain relatively rare. The present piece therefore occupies an interesting position between personal adornment and cultic or apotropaic object, reflecting both Alexandrian iconographic synthesis and provincial workshop virtuosity. Harpocrates is the Greek version of the Egyptian Hor-pa-khered, which means ‘Horus the Child’. This name refers to Horus as the divine infant of Isis and Osiris. Wearing an amulet of Harpocrates was believed to provide the same protection that Isis offered to her beloved son.