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LOT 0025
Egyptian Blue Glazed Faience Pectoral
LATE PERIOD, 664-332 B.C.
1 3/4 in. (20 grams, 45 mm).
Large rectangular shrine-shaped pectoral with subtle cavetto cornice top; obverse with black-painted Anubis reclining on a low pedestal, the reverse with two stylised tyet flanking a djed pillar; four piercings through the rear edge.
ProvenanceFrom a 20th century UK collection.
LiteratureCf. Reisner, G.A., Catalogue général des antiquités égyptiennes du Musée du Caire, Nos.5218-6000 et 12001-12527, Vol. I, Amulets, Cairo, 1907, pl. XIII, no. 12206, for a pectoral with the same decorative design on both faces.
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Late Coptic Panels Decorated with Two Standing Saints
17th-18th century A.D.Sold for (Inc. bp): £3,900
Two wooden panels showing two standing nimbate figures, probably Saint Daloucham on the right, wearing a red veil, and a bearded figure on the left, probably Saint Pachomius, holding a small cross and prayer beads; mounted on a fabric-covered backing board. 1.05 kg total, 65.2 x 50 cm
Leclere, Marseille, 20 April 2013, no.99. Private collection, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12184-221677.
Stylistically, the icon can be compared to the paintings in the Church of St. Thomas in Achmim, which could also help identify one of the two saints. Especially important in this regard are the parallels between the robes of the saints and those of Saint Thomas in the church’s Doom, with long folds coloured with identical colours; the floral decoration of the sleeves of the inner tunic, and the faces of the Saints, with oval and widened eyes. The influence of Ethiopian paintings of the same period is evident in the Church of Achmim, like in this icon. The painting preserves the distant memory of medieval paintings, through a Coptic cultural humus whose vestiges are still today in Egypt, Nubia and Ethiopia. In the Church of Achmim are represented the martyrs of Achmim, i.e. Saint Pachomius and his sister Saint Daloucham. It is not impossible that one of the represented ascetic monks could be Pachomius. It is also probable that the icon was part of a wider group, representing also other important characters of the Coptic Church. -
Egyptian Miniature Alabaster Jar
New Kingdom, 1550-1295 B.C.Sold for (Inc. bp): £104
Miniature alabsatron with ovoid body and flared rim to the mouth; collector's inked number '1' inside mouth; rim chipped. 22 grams, 41 mm
From the collection of David Donlan (1947–2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery. -
Egyptian Steatite Scarab
Middle Kingdom-Second Intermediate Period, circa 1900-1560 B.C.Sold for (Inc. bp): £182
Plano-convex in section with segmented carapace and mouth parts; to the underside, the 'Sema-Tawy' central motif and two flanking ankh glyphs. 5.2 grams, 22 mm
From the collection of David Donlan (1947-2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from the 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.
The 'sema- tawy' is a powerful symbol representing the unification of Upper and Lower Egypt. It traditionally consists of a windpipe entwined with lotus and papyrus plants. The ankh signs are the Egyptian hieroglyphs for 'life'.