Egyptian Blue glazed Faience Cup with Hieroglyphs

A vibrant blue-glazed mummiform shabti of princess Nesitanebisheru, daughter of Pinudjem II, on a custom-made display stand; modelled with arms crossed over the chest, holding a hoe in each hand, wearing a tripartite wig; netted seed bag painted on the back; the bottom half of the figure bearing eight columns of hieroglyphic text in black giving a version of the shabti spell reading: (1) The illuminated one, the Osiris Nesitanebisheru, she says: (2) ‘O this shabti, if one counts, if one reckons to do (3) for the Osiris Nesitanebisheru, to cultivate the fields, (4) to irrigate the riparian lands, to transport by boat the sand of (5) the east (to) the west and vice-versa – now indeed obstacles are implanted (6) therewith – as a man at his duties (to do for ?) (7) the Osiris Nesitanebisheru, to do all the works that are to be done (8) in God’s land at any time to serve, ‘here I am,’ (you shall say). 314 grams total, 16.5 cm high including stand



The object comes from the well known Deir el-Bahari cache (near Thebes) first discovered in 1870. Ex Zurich Antiquities Fair. Ex R. Liechti, Geneva, acquired from the above. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11598-198961.

Nesitanebisheru’s burial was discovered in the famous ‘Royal Cache I’ at Deir el-Bahari (DB 320), with many dozens of coffins and vast quantities of funerary equipment belonging to pharaohs, including Thutmose III and Ramesses II, queens, and other royals, as well as elite members of society that had been reburied by Amun priests to hide them from tomb robbers. Nesitanebisheru’s coffin and burial equipment, including her shabtis, were found at the very end of the c. 70m long tomb in a chamber which served as a family vault for her father, the High Priest of Amun, Pinudjem II, and his principal wife Neskhons. While her worker shabtis are all mostly similar in style with 6-8 text columns, the composition of their inscriptions are not consistent with different openings and variations to the content (often including several peculiarities). Curiously, her titles do not appear in her shabti inscription, unlike those for her mother.

A finely carved carnelian scarab (Scarabaeus sacer) modelled naturalistically in the round with anatomical detailing to the carapace, head, legs and underside of the body; slightly domed profile; drilled laterally to the underside of the body for suspension. 3.07 grams, 19 mm

Fine condition.

From an early 20th century Home Counties collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.114474-196152.

The Egyptians saw the scarab as a symbol of renewal and rebirth. The beetle was associated with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the Egyptians thought resembled the progression of the sun through the sky from east to west. Scarab amulets were used for their magical rejuvenating properties by both the living and the dead. The regenerative powers of scarabs such as the one offered here could be used by either the living or the dead for healing and protection. The striking red/orange colour of the carnelian stone used to produce this amulet strengthens its solar associations.

An alabaster mummy eye with slightly domed profile, black stone inlay representing the iris and pupil. 8.65 grams, 43 mm

Fine condition.

Property of a Staffordshire lady, 1980s. Acquired Litchfield, Staffordshire, UK. Property of a Sussex, UK, teacher.