Egyptian Blue Glazed Faience Amulet Collection

A glazed composition amuletic pendant of an ibis standing on a rectangular base, its curved beak resting on its chest. 4.25 grams, 28 mm



From a UK private collection, 1975-1978.

A glazed composition shabti fragment representing the head of a bull surmounted by a sun-disc between its horns, wearing a lappet wig and with human arms crossed over the chest; the missing lower portion continued the shape of a mummiform human body; the back of the figure flat and bearing faint traces of inscription, the opening begins with a common shabti introduction which appears to be followed (as would be expected) by the name of syncretic deity Osiris Apis. 34 grams, 60 mm



Acquired early 1990s. Ex private American collection; thence by descent. Private collection since 1998. Accompanied by a scholarly note by Egyptologist Paul Whelan.

The figure comes from the catacombs at Saqqara where the sacred Apis bulls were buried, known today as the Serapeum. The Apis bull was associated principally with the gods Ptah, patron deity of Memphis, and Osiris, and when one died it was afforded the kind of lavish burial befitting a pharaoh. All bull-headed shabtis date to the 19th and 20th Dynasties and were left as offerings beside the huge granite sarcophagi of the deified bulls. These shabtis were among hundreds of objects recovered from the catacombs by Auguste Mariette during his excavations there between 1850-1853. The Musée du Louvre in Paris holds the largest collection of artefacts from the Serapeum outside Egypt, including around 120 Apis shabtis. They reveal that the this fragment with its sun-disc is from a rare variant of this shabti type; just 5 of the Louvre examples have sun-discs (S 1823, N 5234 51-54), the remaining shabtis have a bull’s head with short stubby horns and no sun-disc.

A polychrome painted cartonnage foot-case from a cartonnage mummy with two stylised bare feet to the upper face, each with a ankle panel with the god Anubis in jackal form with a flail over the shoulder, framed by geometric borders which continue around the perimeter of the foot cover; soles of polychrome chequered sandals to base. 295 grams, 25 cm wide

Fine condition.

Ex UK art market, 1970s. Property of a London gentleman. Accompanied by an academic report by Egyptologist Paul Whelan.

Foot-cases like this were part of group of cartonnage adornments for a mummy, which usually comprised a mask, broad collar, stomach cover, leg section, and foot-case. For a complete set found on a mummy from Abydos see Scott III, G.D., Ancient Egyptian Art at Yale, Yale, 1986, pp.160-161.