Egyptian Blue Faience Amulet Representing Taweret

Naturalistically modelled, featuring detailed head and elytra, with suspension loop on the underside. 3.98 grams, 22 mm



Collection of a lady, circa 1940. Ex Mayfair gallery, London, UK. Ex an important Wiltshire, UK, collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13158-249420.

The scarab amulet was arguably the most ubiquitous symbol in ancient Egypt, representing rebirth, transformation, and protection. Modelled after the scarab beetle, which was associated with the sun god Khepri - believed to roll the sun across the sky - the amulet illustrated the cycle of life and regeneration. Scarabs were commonly placed with the deceased as funerary amulets to ensure safe passage into the afterlife. They also served as seals and personal charms, often inscribed with prayers, names, or protective formulas. Widely used from the early Middle Kingdom (c. 2050 BCE) onwards, scarab amulets reflect both spiritual beliefs and everyday practices in ancient Egyptian life.

Standing falcon-headed deity with eyes inlaid in gold, wearing the traditional shendyt kilt, a tripartite wig topped by the double crown (pa-sekhemty) fronted by a uraeus, as worn by Egyptian pharaohs, and a wesekh collar; the figure depicted striding forward, with the position of the left arm and drilled hand indicating that it originally held the shaft of a sceptre or a weapon; the right hand also drilled to hold an attribute; the rectangular base featuring a low-relief depiction of an oryx beneath the god’s feet, the four sides of the base bear a line of hieroglyphic invocation giving the name of the deity represented by the statuette and those of the dedicator and his family; two tenons on underside for attachment; mounted on a custom-made display stand. 1.1 kg total, 23 cm high including stand



with Sakae Art Gallery, Nagoya, Japan, 1981. Accompanied by an academic report by Dr Alberto Pollastrini. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13161-248074.

The hieroglyphic inscription surrounding the base is worn and difficult to interpret. Based on the formulas preserved on similar statuettes, a tentative interpretation of its meaning can be proposed. The text begins with the customary formula ḏd mdw, meaning “words to be spoken,” followed by the hieroglyph of a falcon, indicating that the deity addressed is Horus. The following signs are unclear, making it hard to identify which specific form of Horus is meant, possibly Horus of Hebenu or Horus the Elder. The formula continues with a plea for the god to grant the dedicator life, prosperity, health, longevity, and a good old age. The inscription ends with the name of the offerer: “Pa-iu, son of Pa-di-Aset; his mother Ta-heret; and his wife Aset, justified.”

Comprising: an amuletic bead consisting of a row of seven Taweret figures on a rectangular base, pierced longitudinally; a seated ibis before a diminutive figure of Maat on a tongue-shaped base; a cippus amulet composed of the figure of Pataikos standing on two crocodiles, with two hawks perched on his shoulders, a scarab on his head, flanked by the figures of Isis and Nephthys, and on the back, a winged goddess standing on the crocodiles' tails. 6.5 grams total, 16-30 mm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.