Egyptian Blue and Ochre Faience Shabti

Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 2.91 grams, 28 mm



Ex early 20th century collection.

The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.

A designer restrung three-strand bracelet composed of gold and composition beads coloured shades of blue, cream and brown; modern silver-coloured clasp; accompanied with a note reading 'Egyptian, Faience New Kingdom Beaded Bracelet, C. 1570-30 BC- New Kingdom to Ptolemaic Period. beautiful, restrung, elegant Egyptian beaded bracelet consisting of a selection of turquoise coloured, faience tubular beads & polychromatic disc-shaped beads, in a style inspired by the earliest bracelets known (from about 3000 BC) which were found in the tomb of King Djer.' 3.89 grams, 19 cm



Property of a Cambridgeshire, UK, gentleman. Restrung from various accumulations of Egyptian beads from the last 30 years.

D-shaped in plan with carved facial detailing, thick nose and full lips; painted bands to the brow, pierced in three places for attachment. 1.04 kg, 30 cm



Swiss private collection, Zurich, assembled in the 1950s. Private collection. Acquired on the Zurich art market in 2013. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12847-241680.

The cartonnage mask from the Ptolemaic Period (305-30 BC) was a funerary covering made of wood or layers of papyrus/linen and plaster, modelled and painted, which covered the face of the mummy, often gilded, decorated with coloured glass and stones, and depicted the deceased with an idealized face and golden skin to protect him and guarantee him rebirth as a deity in the afterlife, combining Egyptian tradition with Graeco-Roman influences.