Egyptian Blue Amulet of Bes

With an ovoid body and two small lug handles to the upper body. 121 grams, 72 mm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The name by which we know the vessel in question comes directly from its name in Greek— alábastron —which itself was derived from Egyptian, although It is difficult to say whether the name in Egyptian first applied to the type of vessel or to the stone used to make it. Pliny (NH 36.12, 37.54) includes an alabastrites or alabastritis from Alabastrum near Thebes in Egypt among his description of stones, and Theophrastus (On Stones, 1.6) an alabastrítes, also from near Thebes. Ptolemy (Geography, 4.5) even mentions an alabastrites mons, a mountain of alabaster, in the same vicinity. The prototype of the alabastron shape with two lug handles first appeared in Egypt at the end of the Middle Kingdom and continued in use with slight variations through New Kingdom times. After an apparent hiatus in the use of the shape at the end of the Late Bronze Age, it appeared again in the second half of the eighth century in a form more similar to our specimen and became common by the 26th Dynasty.

A 'stirrup' type ring with a substantial oval-shaped bezel bearing the name of Pharaoh Akhenaten - Nefer-kheperu-re Wah-en-re; supplied with a museum-quality impression. 7.28 grams, 19.03 mm overall, 12.08 mm internal diameter



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Akhenaten, an 18th Dynasty pharaoh (c. 1353-1336 BCE), introduced a major religious shift by promoting the Aten, the sun disc, as the sole god. Rejecting the traditional polytheistic religion of ancient Egypt, Akhenaten elevated the Aten above all other gods and even changed his name from Amenhotep (IV) to Akhenaten, meaning ‘Effective for the Aten’. He founded a new short-lived capital in Middle Egypt called Akhetaten. However, traditional polytheism was restored after his death, and his reforms were largely reversed.

With a round face featuring large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners, the forehead has a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand. 84 grams total, 10 cm including stand



Private collection, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time. It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).