Egyptian Black Stone Scarab

Depicted nude and standing on a rectangular base, with a large head, and short arms resting above his bendy legs. 4.87 grams, 32 mm



From an early 20th century UK collection. Accompanied by a previously illustrated catalogue card with provenance.

Herodotus mentions Pataikos as a dwarf-like depiction of Ptah, although the ancient Egyptian name of the god remains unclear. These small amulets symbolise Ptah’s immense magical power, which helps to protect the wearer from dangerous creatures such as snakes and crocodiles. The role of the deity in the funerary sphere is explained in Spell 164 of the Book of the Dead, where Pataikos is invoked to safeguard the deceased’s heart against attacks by enemies and against the decay of the body.

Proof etching on laid paper of plate 64 from Vol.II of Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. entitled Thèbes. Hypogées. Manuscrit sur papyrus. 4eme partie. 235 grams, 105 x 69.5 cm



From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.

Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from an underground tomb chamber (hypogeum). This includes a scene (bottom right) depicting the weighing of the deceased's heart before Osiris's divine tribunal. The heart is balanced against the feather of Maat, and the ibis-headed Thoth records the verdict. If the heart fails to balance, it is devoured by a fearsome creature called Ammut, and the deceased would cease to exist.

Statuette depicting the couchant falcon god Sokar with wings folded along the sides of the body; chest, wings, and legs with painted details; inked legend on the underside reading 'Ex George Wathen / 1893 / 12'. 16 grams, 71 mm



Ex George Henry Wathen collection from 1843, who wrote and illustrated the important work 'The Arts, Antiquity and Chronology of Ancient Egypt'. From the collection of David Donlan (1947–2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.

Wooden images of the raptor-form god Sokar typically decorated the tops of rectangular wooden coffins and canopic chests, which held jars containing the deceased’s mummified organs. Sokar was a protective god of the Memphite necropolis and was often merged with the funerary god Osiris and Ptah, the creator deity of Memphis. George Henry Wathen, FGS (21 November 1816 – 10 November 1879) was a geologist, author, magazine publisher, and South African politician of the Victorian era known primarily for his books on the antiquities of Egypt and the gold fields of Victoria, Australia.