Egyptian Black Stone Scarab

Fragment of a carved panel or vessel depicting a female bust, possibly a queen or Isis, modelled in half-round relief, wearing a loosely draped tunic, a tiered wesekh collar, and a heavy curled, tripartite wig; reverse with lotus flower ropework and other ornamentation; mounted in a later gold suspension frame. 8.75 grams, 38 mm



Private collection, Southern France, 1970s. Acquired on the English art market.

This fragment likely originates from an elaborately decorated bowl belonging to a specific group thought to have been made in Alexandria (cf. Page-Gasser, M., Wiese, A.B., Ägypten: Augenblicke der Ewigkeit, Mainz, 1997, for a complete example). The purpose of these bowls is unclear, but they may have been used as votive offerings in sanctuaries.

Tongue-shaped fragment depicting a figure with almond-shaped eyes and wearing a headdress. 65 grams, 58 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

Carved architectural block fragment comprising: a shallow niche with arched top and parallel sides, with concentric mouldings to create a reveal and ledge below to accept offerings; horizontal tiered base; attachment sockets for two figurines (absent) flanking the niche; to left, a column modelled in the half-round with two parallel vertical stems, shallow roundel to the base and stylised foliage at the top; pediment above with scooped profile; above each figurine an incised initial, 'A' and 'M'; facing surface keyed for plaster finish. 57.55 kg, 49 cm



From the estate and private collection of Matthew Upham (1962-2025), an antiques trader from Budleigh Salterton, Devon, UK. Acquired at an estate sale at auction. Property of a Cambridgeshire, UK, gentleman. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no. 13297-255939.

In the Christian Roman Empire, the stelae in the form of aedicula, which could be funerary monuments with crosses or the images of the deceased, or devotional niches with images of saints, appear to be independent sculptures. These stelae consisted of a rectangular body surmounted by a circular arch or trapezoidal structure. At the centre of the niche, the deceased was often depicted full-length, in a praying position (orans). Devotional stelae were also placed inside a church or shrine, with images of the Virgin and Child, or saints.