Egyptian Black Stone Scarab in Gilt Bronze Memorial Locket

Designs include: a line border enclosing the name of Amenhotep III and the epithet ‘Ruler of Thebes’; a line border enclosing a central shrine-like motif containing a sa and nefer sign, flanked by mirrored djed, ro, and nefer signs; a line border enclosing a bark, sun disc, wedjat, and neb signs; a Line border enclosing two facing falcons flanked by rearing cobras and a nwb (gold) sign above; a line border enclosing the phrase ‘powerful is the justice of Re’ (user-Maat-Re), which formed part of the throne name of several Ramesside pharaohs. 11.2 grams total, 9-19 mm



Acquired on the European art market in the early 2000s. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The head of goddess Bastet modelled in the round with alert ears and eyes, fine whisker detailing to the gently elongated muzzle, hair detailing to the inner edges of the ears and the lower outer edges pierced to accept separate earrings, incised scarab on the top of the head. 92.5 grams, 58 mm



Elizabeth Helene Demarest Osten Driesen (1892-1931). Given as a gift to her granddaughter, Lady Annabel Sutherland, by descent in the late 1960s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12762-237137. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

In ancient Egypt, the cat was venerated as the sacred animal of the goddess Bastet, whose principal cult centre was Bubastis in the Nile Delta. Although cats were once part of folk practice, their veneration as part of formal cults spread across Egypt during the Late Period. Bastet was closely linked to lion-headed goddesses like Sekhmet, Tefnut, and Pakhet, and the cat itself became associated with solar imagery: the Book of the Dead portrays the sun god as a Great Cat vanquishing Apophis beneath the sacred Ished Tree. The cat could also embody the Eye of the Sun or, more often in Bastet’s case, the Eye of the Moon. Mummified cats were frequently dedicated as votive offerings, and some of their feline-shaped coffins were adorned with finely crafted bronze heads to enhance their divine likeness.

Modelled body of a beetle with detailed carapace and legs; underside with two crocodiles enclosing a central sun disc flanked by two papyrus clumps atop neb signs. 19.8 grams, 38 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The design could be interpreted as ‘Sobek-Ra, lord of the Delta’. Sobek was mainly associated with water, fertility, and the Nile, as well as strength and military prowess. His worship spans much of ancient Egyptian history, from at least the Old Kingdom to the Roman period, and he was honoured not only as a force of nature but also as a god of healing, protection, and royal authority. He was associated with various other deities, most often with the sun god in the form of Sobek-Ra. His primary cult centres were situated in the Faiyum region, especially in the city of Crocodilopolis, and also at Kom Ombo in Upper Egypt.