Loading, please wait...
LOT 0504
Egyptian Bead Necklace with Scarab
LATE PERIOD, 664-525 B.C.
22 7/8 in. (9.72 grams, 58 cm long).
A restrung necklace of composition beads of various types with polychrome glazes, together with a central scarab with seated deities to the base.
ProvenanceEx early 20th century French collection.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Egyptian Blue Faience Shabti Group
Late Period-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £208
A group of four blue-glazed faience shabtis. 18.2 grams total, 43-46 mm
Fair condition.
Acquired 1930s-1950s. Ex Ciapara collection. -
Egyptian Faience Shabti with Hieroglyphic Text
7th-1st century B.C.Sold for (Inc. bp): £910
A glazed composition shabti with square base and plain dorsal pillar, tripartite wig and false beard, arms folded across the chest holding agricultural tools and a seed bag to the left shoulder; nine horizontal bands of worn hieroglyphic text from Chapter Six of the Book of the Dead to the lower body. 212 grams, 19.5 cm high
Acquired early 1990s. Ex private American collection; thence by descent. Private Swiss collection since 1998. -
Egyptian Blue Faience Shabti of Nesitanebisheru
Third Intermediate Period, 21st Dynasty, circa 980-935 B.C.Estimate: £30,000 - 40,000 (‡+bp*)
Opening Bid: £15,000
A vibrant blue-glazed mummiform shabti of princess Nesitanebisheru, daughter of Pinudjem II, on a custom-made display stand; modelled with arms crossed over the chest, holding a hoe in each hand, wearing a tripartite wig; netted seed bag painted on the back; the bottom half of the figure bearing eight columns of hieroglyphic text in black giving a version of the shabti spell reading: (1) The illuminated one, the Osiris Nesitanebisheru, she says: (2) ‘O this shabti, if one counts, if one reckons to do (3) for the Osiris Nesitanebisheru, to cultivate the fields, (4) to irrigate the riparian lands, to transport by boat the sand of (5) the east (to) the west and vice-versa – now indeed obstacles are implanted (6) therewith – as a man at his duties (to do for ?) (7) the Osiris Nesitanebisheru, to do all the works that are to be done (8) in God’s land at any time to serve, ‘here I am,’ (you shall say). 314 grams total, 16.5 cm high including stand
The object comes from the well known Deir el-Bahari cache (near Thebes) first discovered in 1870. Ex Zurich Antiquities Fair. Ex R. Liechti, Geneva, acquired from the above. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11598-198961.
Nesitanebisheru’s burial was discovered in the famous ‘Royal Cache I’ at Deir el-Bahari (DB 320), with many dozens of coffins and vast quantities of funerary equipment belonging to pharaohs, including Thutmose III and Ramesses II, queens, and other royals, as well as elite members of society that had been reburied by Amun priests to hide them from tomb robbers. Nesitanebisheru’s coffin and burial equipment, including her shabtis, were found at the very end of the c. 70m long tomb in a chamber which served as a family vault for her father, the High Priest of Amun, Pinudjem II, and his principal wife Neskhons. While her worker shabtis are all mostly similar in style with 6-8 text columns, the composition of their inscriptions are not consistent with different openings and variations to the content (often including several peculiarities). Curiously, her titles do not appear in her shabti inscription, unlike those for her mother.