Egyptian and Later Scarab and Intaglio Collection

A glazed composition shabti fragment representing the head of a bull surmounted by a sun-disc between its horns, wearing a lappet wig and with human arms crossed over the chest; the missing lower portion continued the shape of a mummiform human body; the back of the figure flat and bearing faint traces of inscription, the opening begins with a common shabti introduction which appears to be followed (as would be expected) by the name of syncretic deity Osiris Apis. 34 grams, 60 mm



Acquired early 1990s. Ex private American collection; thence by descent. Private collection since 1998. Accompanied by a scholarly note by Egyptologist Paul Whelan.

The figure comes from the catacombs at Saqqara where the sacred Apis bulls were buried, known today as the Serapeum. The Apis bull was associated principally with the gods Ptah, patron deity of Memphis, and Osiris, and when one died it was afforded the kind of lavish burial befitting a pharaoh. All bull-headed shabtis date to the 19th and 20th Dynasties and were left as offerings beside the huge granite sarcophagi of the deified bulls. These shabtis were among hundreds of objects recovered from the catacombs by Auguste Mariette during his excavations there between 1850-1853. The Musée du Louvre in Paris holds the largest collection of artefacts from the Serapeum outside Egypt, including around 120 Apis shabtis. They reveal that the this fragment with its sun-disc is from a rare variant of this shabti type; just 5 of the Louvre examples have sun-discs (S 1823, N 5234 51-54), the remaining shabtis have a bull’s head with short stubby horns and no sun-disc.

A mixed group of scarabs and intaglios comprising: carnelian plaque with helmetted warrior holding shield with right hand and winged Nike on his left; green glazed composition scarab with enigmatic hieroglyphs on base; onyx scarab with an armed running warrior on base, cut in Rome; a later gold bracelet with an Etruscan scarab; one wedjat eye scaraboid; an Etruscan scarab with a centaur; one stone scarab with seated Ra-Horakhty above nb reading 'lord Ra Horakhty'; one pink stone scarab with bird. 4.13 grams total, 12-15 mm



Supplied with small a handwritten note: 'Antiquities found in Rome, given to Henrietta Sophia Benfield by her mother'. Henrietta Sophia Benfield (1796-1857) was the daughter of Paul Benfield and his wife, Mary Frances, daughter of Henry Swinburne (1743-1803). Property of the Berkeley collection. With Sotheby's, London, 11 December 2019, lot 182. English private collection.

A red glass insert of a profile face with remains of a pharaonic crown to the forehead. 16.7 grams, 31 mm wide



Ex Joseph Altounian (1889-1954), Paris and Macon, thence by decent. with Christie's, London, 3 July 2018, lot 29. English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11603-199738.

Joseph Altounian opened his shop in 1906 in Paris and then relocated to Mâcon in 1924 when he was joined by his wife Henriette Lorbet. They specialised in Egyptian and Greek art, medieval sculpture and decorative arts, selling to major museums both in Europe and in the United States. At his death in 1954 the business was taken over by his daughter, Jacqueline Altounian-Lorbet, and her husband Bernard Rousset, who then specialised in antique furniture.