Egyptian Amethyst and Carnelian Bead Group

Proof etching on laid paper of plate 23 from Vol.II of Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. entitled Thèbes. Memnonium. Vue générale du tombeau d'Osymandyas et d'une partie de la plaine de Thèbes prise du ord-ouest. 226 grams, 105 x 69.5 cm



From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.

Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The "Memnonium" is the Greek name for the mortuary temple of Ramesses II, now known as the Ramesseum.

Wearing daily dress and carrying agricultural implements, with dark blue details including his short wig with side-lock, designating him as a Sem-priest of Ptah at Memphis, the text on the kilt naming him as 'Sem-priest and King's son Khaemwaset'; with round-topped back support, the reverse with two columns of hieroglyphs with part of the shabti formula: "He says: O shabti, if one counts, if one is reckoned to do all the works that are to be done there in the God’s land—now indeed obstacles are implanted therewith—as a man at his duties, ‘Here I am,’ you shall say when you are counted off to cultivate the fields, transport by boat the sand of the east to the west and vice versa; ‘Here I am,’ you shall say". 284 grams, 15.1 cm



With Barakat, Beverly Hills: reputed to be from the Omar Pasha Sultan collection, (1806-1871) but unpublished in the 1929 catalogue of the collection, nor in Aubert's 1976 article on the shabtis in the collection. Bonhams, London, 1 May 2013, no.282. Accompanied by copies of the relevant Bonhams catalogue pages. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12938-243536.

Prince Khaemwaset was the fourth-ranked son of Ramesses II and the second born to Queen Isetnofret. More is known about Khaemwaset than any other son of Ramesses II, attested by over 150 objects, ranging from statues to temple reliefs. He is traditionally regarded as the “first Egyptologist” for his restoration of monuments belonging to earlier kings, including the pyramids at Giza and Saqqara. Recent reassessment, however, suggests that some of these activities involved dismantling parts of ancient structures for reuse in his father’s temple constructions.

Of slender form, shown striding and wearing a kilt with a central tab, and a rounded wig covering the ears, composed of echeloned rectangular curls; the face with a broad mouth with finely outlined lips, rounded at the corners; the front of the kilt and portion of the advancing left leg preserved; the arms and the lower right leg missing, having been carved separately; with traces of polychrome. 1.46 kg total, 55.7 cm high including stand



Joseph Altounian (1889-1954) and Henriette Lorbet, Altounian-Lorbet Gallery, Mâcon, France. Believed acquired at Sotheby’s, London: The MacGregor Collection of Egyptian Antiquities, 26 June–3 July 1922. Acquired by the previous owner from Henriette Lorbet, January 4th, 1967. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13232-250113.

The statue stands as another admirable example of wooden sculpture from the early dynasties. Its highly realistic face depicts a young man, mirrored by the slender body, with a sober and elegant design. The statue was undoubtedly originally coated in stucco and colour. The striking figure, slightly asymmetrical, along with the serious mouth and haughty expression, gives this portrait a remarkably lively appearance.