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_900x900.jpg "Egyptian Amarna Sandstone Relief Fragment")
_200x200.jpg "Egyptian Amarna Sandstone Relief Fragment")
.jpg "Egyptian Amarna Sandstone Relief Fragment")
LOT 0036
Egyptian Amarna Sandstone Relief Fragment
NEW KINGDOM, 18TH DYNASTY, 14TH CENTURY B.C.
13 in. (5.11 kg, 33 cm).
Rectangular in plan with irregular left and lower edge; carved in low-relief in two registers with narrow border; lower register - plain with cream-white pigment; upper register – a combat or possibly post battle or tribute scene depicting two profile male heads with stern features, lentoid eye, strong mouth and chin, wearing brow-bands, probably Western Asiatics; with the leg of a kneeling(?) figure to the right; the reverse dressed but undecorated; two modern mounting holes to the long edge.
ProvenancePrivate collection, 1980s.
Private European collection, 2008.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12853-241665.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Martin, G.T., The Memphite Tomb of Ḥoremḥeb Commander-in-Chief of Tut’ankhamūn I, London, 1989, pl. 114, for a chaotic scene of foreign delegations in audience with the Pharaoh Tutankhamun.
FootnotesScenes of captured enemies and especially foreign envoys in audience with the pharaoh depict figures in various humiliating, supplicatory poses, including prostration and kneeling.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Faience Hare Statuette
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £130
Modelled in the round in crouching position with its ears pulled back and resting along the body, black detailing to the eyes. 25 grams, 44 mm
Private collection of Mr K.A., acquired in the 1990s-early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The desert hare was one of the most common wild animals in Egypt. The female hare was sacred to Wenut, goddess of the 15th Upper Egyptian nome, though no specific hare cults are known. The purpose of hare figurines remains uncertain. According to Plutarch, Egyptians regarded the hare’s speed and keen senses—reflected in its open eyes—as divine. -
Egyptian Haematite Mace Head
4th-3rd millennium B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Globular body with short socket and thickened rim; accompanied by a custom-made display stand. 457 grams total, mace: 60 mm high
Ex Norman Fargo collection. with Olympia Auctions, 26 June 2024, no.119. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Norman Fargo was born in Los Angeles, California in 1945, the son of Hungarian immigrant Frank and his wife, Rose. His lifelong passion for collecting began at the age of six with a simple interest in rocks. By the 1960s, Norman had become a dedicated student of antique arms and armour, developing a deep appreciation for both craftsmanship and historical context. He began collecting at a time when many items now considered rare were still relatively accessible. A friendship with renowned collector Howard Curtis—whose important collection was partially sold at Christie’s, London in 1984—opened doors to early and exceptional material. Norman also acquired outstanding pieces from respected figures such as Frank Bivens and others known today through museum and auction catalogue provenance. Alongside his core collection of arms and armour (c.1450-1700), Norman developed an eye for period furniture and accessories. He also built a growing collection of Pre-Columbian art with an emphasis on Southern Mexican cultures, particularly Veracruz, as well as fine examples of Japanese Satsuma ware and cloisonné. -
Egyptian Silver Poppy Amulet Group
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £124
Three pendants each with poppy-head and loop at the apex. 3.68 grams total, 17-19 mm
Ex London, UK, gentleman 1980-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Amulets in the form of poppies were used to heal and alleviate pain and to ward off death. These types of amulets were also linked to Osiris, the Egyptian deity of agriculture, death, and the afterlife.
