Egyptian Alabaster Jar

Modelled in the round squatting on an ellipsoid base, lug to the underside, repaired. 114 grams, 60 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

The ibis, particularly the sacred species known as the Egyptian ibis (Threskiornis aethiopicus), held a prominent place in ancient Egyptian religion and culture as a manifestation of the god Thoth. Revered as the deity of wisdom, writing, and knowledge, Thoth was often depicted in human form with the head of an ibis. During the Late Period onwards, the practice of mummifying ibises became widespread, leading to the creation of vast necropolises dedicated to these sacred birds. In places like Saqqara and Hermopolis, thousands of ibis mummies have been discovered in specially constructed catacombs. The mummification of these birds was not merely a ritual act; it was seen as a sacred offering to Thoth, meant to honour the god and seek his favour. Egyptians believed that by preserving the ibis through mummification, they could ensure its safe passage to the afterlife, establishing a direct connection between the earthly realm and the divine. These mummies were often accompanied by votive offerings, like this bronze figurine, further emphasising the relationship between the ibises and Thoth.

Carved alabaster figure of a baboon, crouching with his forepaws resting on his knees, tail curled around from the rear; cartouche dedicated to Queen Tiye at the chest as a later addition. 1.06 kg, 15.4 cm



From the private collection of Dr Athanasios Ghertsos, Zurich, by at least 1970. Private collection of Hermann A. Schlögl (1932-2023), Basel. Accompanied by a copy of an Art Loss Register certificate, no.S00261724. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13073-248325.

In ancient Egypt, baboons were sacred, representing wisdom, the moon, and the underworld, linked to gods like Thoth and Babi, often depicted greeting the sun or guarding tombs, and were imported, mummified as offerings, and used as powerful religious symbols despite their often harsh captive conditions. The aforementioned Tiye is the wife of Sethnakht, the founder of the 20th Dynasty, and not to be confused with the wife of Amenhotep III. All monuments bearing her name originate from Abydos, where her son Ramesses III built a temple for his parents.

Irregular plate fragments with banded, rosette and other designs. 34.6 grams total, 21-48 mm



Ex Gallery Mikazaki, prior to 1994. From the collection of a London, UK, gentleman.