Egyptian Alabaster Hes-vase

A pale blue glazed mummiform shabti for an Imy-Khent priest, modelled standing on a rectangular base, arms crossed over the chest and holding a pick and a hoe, seed bag over the left shoulder, wearing a tripartite wig and false beard; two vertical columns of hieroglyphs to the front of the body, plain dorsal pillar; some of the hieroglyphs spelling the owner's name are poorly rendered, but appears to be Ba-ankh-sa-sobeky. 99 grams, 13.5 cm high



From a Worcester deceased estate. Property of a Cambridgeshire gentleman. Accompanied by an academic report by Egyptologist Paul Whelan.

Although the name of the shabti’s owner and, in particular, that of his parent, are rather unclear, the titles are clearly written and inform us that Ba-ankh-sa-sobeky served as an ‘Imy-khent priest’ associated with the Delta city of Mendes, where the principal deity was the sacred ram god Ba-neb-djedet (meaning ‘Ram, lord of Djedet’). The hieroglyph of the standing ram (Ba) forms the first part of the priest’s name. From the Late Period onwards the priestly title of the nearby city of Hermopolis Parva, ‘One who Separates the Two Gods’, also appears in Mendesian title strings, perhaps indicating that Hermopolis Parva and its religious cults had come under the control of Mendes; indeed, Mendes is thought to have been the capital of Egypt during the 29th Dynasty. The crocodile god Sobek was also worshipped at Mendes in later periods and Ba-ankh-sa-sobeky’s name appears to reflect both this reptilian deity and the traditional ram god of the city.

A bronze horned beetle figure modelled in the round with semi-naturalistic anatomical detailing, its legs held tightly against its abdomen, possibly indicating that this is a beetle in a mummified form. 49.8 grams, 43 mm



Acquired 1990s-2000s. From the collection of an Essex gentleman.

A wooden animal birthing scene composed of three figures: a standing cow or other quadruped giving birth to its young, its head, neck and forelegs emerging from the mother's rear, both with a black and white speckled coat; a standing male figure with articulated arms and pierced hands, wearing a kilt and cropped wig and with stylised facial detailing; a kneeling figure also with articulated arms, open-palm hands, wearing a kilt and cropped wig, stylised facial features; extensive remains of polychrome pigment. 111 grams total, 9.5-16 cm



From an early 20th century Home Counties collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11597-199209.

Such models would have been deposited in tombs; the purpose of such a scene was probably to evoke the season of spring, when calves were born, and the floodplain where farmers lived and raised their livestock.