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LOT 0500
Egyptian Alabaster Cosmetic Jar
NEW KINGDOM, 13TH-11TH CENTURY B.C.
2 1/8 in. (129 grams, 56 mm).
Squat, globular vessel with a flat bottom and thick, carinated rim. [No Reserve]
ProvenanceFrom the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990.
Property of an Essex lady until the late 1990s; thence by descent.
From the private collection of an Essex gentleman since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Vandier d’Abbadie, J., Les objets de toilette égyptiens au Musée du Louvre, Paris, 1972, pp. 132-133, nos. 575 and 576, for similar forms dated to the 19th Dynasty.
FootnotesSuch vessels were used to hold cosmetics. The low shape and wide base prevented tipping when extracting the cosmetic with an applicator.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Faience Ram Statuette
Late Period, 664-332 B.C.Sold for (Inc. bp): £468
Modelled in a dynamic pose on a rectangular base, muscular body and striated dewlap, curving horns decorated with black glaze framing the face, three large black dots on the back with further black detailing to the front hooves and tail. 44.2 grams, 64 mm
Private collection of Mr K.A., acquired in the 1990s-early 2000s. Accompanied by a copy of an Art Loss Register certificate no.2922.WW, dated 5 June 2007. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Various gods were depicted as rams. The downturned horns on this amulet indicate that the ram represents Amun. The ram was symbolically linked to ideas of revival and fertility, which, over time, became associated with Osiris and was also viewed as the god's soul or ba. -
Egyptian Silver Fly Amulet
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £91
With detailing to wings and eyes, loop for suspension above the head. 2 grams, 24 mm
Ex London, UK, gentleman 1980-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Considering that Egyptian artists often depicted fly whisks in the hands of pharaohs and high officials, one might assume that flies were merely a nuisance. However, the Egyptians held flies in high regard for their speed, quick reactions, and persistence. Small fly amulets first appeared in burials during the Naqada II Period, around 3200 B.C. These amulets gained popularity, and the materials used to make them varied during the New Kingdom. They were crafted from various materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were believed to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even symbolised the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and persistence of soldiers in battle. -
Egyptian Limestone Fragment
New Kingdom, 1550-1295 B.C.Sold for (Inc. bp): £1,690
Architectural fragment with two dressed faces; incised design comprising: vertical border to the left; a band of hieroglyphic text at the top; an arch enclosing a seated figure in profile wearing a tripartite wig and collar with curved beard, head cone and frond above; curved linear element meeting the end of the beard; traces of white, blue, red-brown and other pigments; chamfered edge pierced in modern times for mounting. 190 grams, 10.8 cm
From the estate of a deceased American, acquired between 1970-1989. with Bonham's, London, Knightsbridge, 28 October 2009, no.23 [part]. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
