Eastern Greek Bronze Ring with Gryphon

With flared neck, everted rim, loop handle and pedestal base of Magna Graecian (Gnathian) workmanship; to the neck a band of white ovolo motifs above ochre bands, a white wavy line, ochre dots, a white and ochre meander and red solid bands. 157 grams, 10.2 cm



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A deep bowl with out-turned rim, convex base with concentric ring detailing. 197 grams, 16.6 cm



Ex London, UK, collections, 1990s-2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

In the necropolises of Southern Etruria, around the second half of the 8th century B.C., new technologies were used, which also involved metalworking. Alongside simple bronze cups intended for everyday use, similar magnificent examples containing a flourish of impressed or engraved geometric motifs were made.

Seated on a high-backed throne, wearing a polos headdress with two long braids falling from underneath the headdress, wearing a long chiton fastened by a belt, the left arm raised, possibly once holding a dove; well marked facial features, slightly almond-shaped large symmetrical eyes with slightly raised eyelids, straight nose, strongly pronounced mouth with fleshy lips and shallow ears; traces of brown slip, repaired. 2.02 kg, 57.7 cm



with H.A.C., Basel, prior 1999. Accompanied by a thermoluminescence analysis report no.N125a51 from Oxford Authentication. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12461-228712. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

One of the most typical 6th century B.C. terracotta female figurines was that of a standing or seated woman wearing a chiton and a himation over it. It was a votive figure offered at the shrines or temples, usually representing the goddess Demeter. Attica was one of the principal centres of figurine production, but Corinth continued to produce solid standing or seated females with moulded fronts and flat backs. The mass production of such terracotta was also typical of Magna Graecia.