Early Georgian Gold Enamelled Memento Mori Skeleton Ring for 'S N'

A classic, Renaissance era gold ring composed of a slender D-section hoop, widening at the shoulders, fashioned as architectural capitals with strapwork and elaborate projecting scrolls in opaque white and blue enamel, embellished with red and green enamelled detailing; square bezel with box setting set with a table-cut ruby, pairs of blue enamelled cusplets to each of the four faces, stepped base below ornamented with a black enamelled bead moulded collar, bezel reverse of flat inverted pyramidal form and divided into four triangles, two with black enamelled hatching; retaining the majority of the original enamelling; accompanied by a Les Enluminures presentation box. 4.66 grams, 22.94 mm overall, 16.90 mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6)



Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11670-197580.

Rubies were a potent symbol of status and social distinction in later medieval Europe, frequently adorning royal crowns. In the Renaissance, however, they conveyed a personal, more intimate message, their red colour, like the rose, emblematic of love. The intensity of the red colour was often enhanced with a foil lining to the setting and were popular as betrothal and wedding rings. It is believed that rubies symbolised the virtues of marriage and eternal matrimonial love. Such rings held an international appeal, making attribution to specific workshops or countries very difficult. The V & A Museum explains that 'Renaissance, the ring developed from the simple forms of the medieval period into a miniature work of art, combining the skills of the chaser, engraver and enameller as well as the stone cutter.'

A framed and glazed reliquary display box featuring a castle created from polychrome and gilt paper scrolls. 682 grams, 29 x 23.5 cm



English private collection.

A complete silver dress fitting or strap mount in the form of two conjoined scallop shells along one edge of a sub rectangular bar with sloping sides, the fitting with central perforation and two slender mounting lugs to reverse. 1.24 grams, 12 mm



Found whilst searching with a metal detector by Kevin Ford on 1st March 2019 in Chinnor, South Oxfordshire, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme Report (PAS) number OXON-86C7C3. Accompanied by a letter to HM Coroner for Oxfordshire from the Oxfordshire Finds Liaison Officer (FLO) with treasure reference number 2019 T648.

The scallop shell was associated with St. James and the pilgrimage site of Santiago de Compostela in Spain, one of the most important pilgrimage centres in medieval Europe. The scallop shell became the symbol for pilgrimage more generally in this period. It is an overtly Catholic symbol which could have been worn with freedom before c. 1540, or in the period of the Marian revival of Catholicism from 1553-1558. Pilgrimage to the shrine at Compostela from England would have been interrupted by the English Reformation. The PAS report notes that similar examples have been declared as treasure, including: KENT-FEE744 (2014 T641) and NLM-538148 (2010 T539), both dating to the 16th century A.D.