Dutch Thumb Ring Sword

Comprising two bronze belt sections, each with a ferrous backing; applied sheet-bronze rectangular plates held in place with domed rivets and washers, some decorated with a border of pelleted triangular punchmarks topped with a pellet or ring-and-dot motif; one fragment with finial with remains of a riveted hook, the other with corresponding hole. 609 grams total, 23-30 cm



Ex Axel Guttmann collection.

Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm

Fine condition.

Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.

This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.

Large rounded two-part bowl rivetted beneath the repoussé crest extending across the brow and around the circumference; repoussé arches above the eyes extending to the nasal; lateral D-shaped cheek-pieces with scallop to the forward edge, pierced for a chin-strap; some restoration of the bowl and one cheek-piece; mounted on a custom-made display stand. 4.7 kg total, 48 cm high including stand



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11751-202770.

According both to Symonenko and Dedjulkin (2014, p.189, fig.9, nn.4-5-6), this category of helmet derives from Chalcidian types (with pseudo-Illyrian elements). As with Chalcidian helmets, our specimen shows vertical decorative lines on the bowl and triangular brow ornament. Distinct from Attic types, it does not have a protruding neck guard introduced on variant III of such helmets (Symonenko, 2014, fig. 15,2-3). According to Dedjulkin, these helmets derive from Greek prototypes, but are simplifications of the original models and made by local artisans. They were widely worn by mercenaries in the Hellenised armies of Pontus and other Hellenistic kingdoms across the Eastern Mediterranean.