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LOT 0367
Doors with Annunciation of the Virgin Scene
CRETAN SCHOOL, 16TH CENTURY A.D.
36 3/4 x 27 in. (9.15 kg total, 93.5 x 68.5 cm including frame).
Painted onto a pair of gessoed wooden doors for the iconostasis, pentagonal in form with applied beading to the edges; Left: gilt field with advancing winged figure in ankle-length robes holding a slender wand and with thick curly hair, legend 'Ο ΑΡΧΗ' and 'ΓΑΒΡΗΛ'; Right: similar with Mary in floor-length blue robe and crimson mantle, holding a drop-spindle and winder, with legend 'Ω/MP'; representing the Annunciation of the Virgin by the Archangel Gabriel; mounted on a velvet-covered wooden frame.
ProvenanceAcquired on the UK art market.
Private collection, London, UK.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12552-231939.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. Popescu, G.A., Cristiani d'Oriente, spiritualità, arte e potere nell'Europa Post-Bizantina, Milano, 1999, fig.69, for similar; cf. Fr. Constas, M., ‘Theophanes the Cretan and the Iconography of the Annunciation’ in Annual Report of the Friends of Mt. Athos, 2012, pp.40-47, fig. 2, for a very similar painting on sanctuary doors.
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LOT 0367
Doors with Annunciation of the Virgin Scene
Estimate £10,000 - 14,000€11,600 - 16,240 (for guidance only)$13,500 - 18,900 (for guidance only)
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Greek Wooden Icon with Silver Cover Showing Saint Michael and Gabriel
Istanbul, circa 1860 A.D.Sold for (Inc. bp): £481
Showing the standing Taxiarches (commanders of the Heavenly Army) Michael (A[rchangel] M[ichael]) and Gabriel (A[rchangel] G[abriel]); Michael dressed in pseudo-Roman scale armour worn over a garment with hanging pteryges, partially covered by his military cloak, the raised right hand holding a sword and the left hand resting on a shield; Gabriel dressed in long mantion (a cloak fastened under the neck), long court dress with embroidery, holding the messenger’s flower in one hand and the Globe of the Divine Power over the world in the other; floral frame; fabric mark in Turkish and Greek (ω) near the right shoulder of Saint Michael. 285 grams, 16.2 x 12 cm
Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The icon is from a Constantinople workshop circa 1860 A.D. During the Turkokratia (the Turkish domination) the Orthodox inhabitants of Constantinople continued to entrust their protection to the powerful military commanders of the Heavenly Host, the Archangels. Following the Slavic style, the icons were often covered by embossed silver plates (riza), generally reproducing the same figures on the painted wood. -
Renaissance Stained Glass Panel of the Head of Saint John
Northern France, circa 1490-1510 A.D.Sold for (Inc. bp): £1,690
Irregular glass panels in lead frame, painted image of the severed head of John the Baptist with nimbus. 149 grams, 14 cm
with De Baecque Vente Aux Encheres, 5 March 2022, no.57. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Post Medieval Inlaid Cross Pendant
18th-19th century A.D.Sold for (Inc. bp): £26
Substantial in form with chamfered edges, ribbed and collared bale, four inset blue glass studs and a central gold-in-glass panel; superficial casting flaws. 104 grams, 12.3 cm
Constable-Maxwell and Lord McAlpine in the 1980s-1990s. with Iconastas Russian Fine Art and Antiques, London SW1. Formerly in the private collection of Russian businessman Yuri Golubev (1942-2007), some of his collection was published in his book 'Symbols and Images'. Ex property of a British gentleman. Property of a Californian, USA, collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
