Cypro-Phoenician Bronze Cup

Comprising a crescentic body with a slender neck at each end, topped by a bird-head with a rectangular crest, vertical legs with raised block detailing conjoined at the lower end into a mounting peg. 55.6 grams, 86 mm



Ex collection Mr K.H., Germany. Private collection, acquired in 2012. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13077-246757.

Bird figures, standing on plates or discs, are found as votives mainly in Northern Greek sanctuaries of the Geometric Age. They should be regarded as symbolic and sometimes modest gifts to the gods. Some birds were also designed as pendants. The present fitting resembles a rooster, but it could also represent a peacock, and hence is connected with the goddess Hera.

A collection of necklace pendants and dress appliques comprising: a hollow bead with a truncated conical shape, featuring appliques for precious stone inserts; three studs with a hemispherical dome; a pair of appliques decorated with rosette and mask-shaped elements; a pendant in the form of a myrtle berry, and another fragment. 11.19 grams total, 10-31 mm



Acquired by a Swiss family in the mid-1980s to late 1990s, thence by descent. Private collection, Switzerland, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13023-246772.

The iconography of Hellenistic jewellery often incorporates vegetal motifs, reflecting the Greek value of fertility. With its heavy incorporation of plant motifs, including tendrils, blossoms, and a bursting pomegranate, the diadem design symbolises a woman’s reproductive potential and alludes to the female wearer’s social responsibility to produce offspring.

With a bulbous body, flared foot, lateral loop handles to the shoulder and a strap handle to the rear. 23.5 grams, 37 mm



Acquired by a Swiss family in the mid-1980s to late 1990s, thence by descent. Private collection, Switzerland, since the late 1990s.

The earliest Archaic Greek bronze hydriai enter the archaeological record in the last quarter of the seventh century. Although the appearance of bronze marks the first significant period of production in the Iron Age, these vessels represent a reawakening of an illustrious tradition dating back at least to the Helladic Bronze Age, if not considerably earlier.