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LOT 0489
Cypriot Terracotta Votive Horn
2100-1850 B.C.
5 3/8 in. (71 grams, 13.5 cm).
Tapering round-section votive with reserved zigzag bands of dense linear hatching; modern mounting pin. [No Reserve]
ProvenanceFrom the celebrated personal collection of art formed by the famous anthropologist, artist, and television presenter Desmond Morris.
with Christie’s, South Kensington, 14 May 2002, lot 19 (part).
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Greek Gold and Bead Pendant with Dolphins
4th-2nd century B.C.Sold for (Inc. bp): £390
Comprising a small ribbed hoop flanked by gold confronted dolphins above a collar with tubular carnelian bead above an annular carnelian bead, and with a pearl finial. 1.66 grams, 20.64 mm
From a late Japanese specialist collector, 1970-2000s. -
Indo-Greek Terracotta Forger's Mold Group
Circa 2nd-1st century B.C.Sold for (Inc. bp): £520
Group of discoid clay moulds for casting contemporary counterfeit coins. 40 grams total, 27-32 mm
Private collection formed in the 1990s. Acquired from a central London gallery. Property of an Essex gentleman. -
Greek Terracotta Head of a Goddess
4th-3rd century B.C.Sold for (Inc. bp): £390
With a delicately modelled face and full lips, hooped earrings visible from beneath her hair; the hair with central parting and pulled to a chignon at the nape of the neck; wearing a diadem with central embellishment; mounted on a custom-made display stand. 41.3 grams total, 75 mm high including stand
Ex French Sorbonne archaeology professor (deceased); 1960s -2000s.
These figurines were most probably manufactured in Hellenistic cities by craftsmen who used either light yellow or dark brown clay. After the firing, the surface of the clay became reddish, while the core became grey-brown. The majority of the figurines were made from untreated clay with many impurities, such as coarse grain. Due to the quality of the clay the surface of the figurines was often rugged, despite the retouch, but were painted with vivid colours.
