Cypriot Terracotta Juglet with Handle

Comprising fragments from various types of vessels, most with painted decoration; including a large fragment of an Indus Valley vessel with a polychrome frieze with an ibex. 427 grams total, 37-95 mm



UK gallery, early 2000s.

With rounded loop handles with elaborate palmettes below, pedestal foot; Side A with nude Eros flying left, holding a dish in his right hand; Side B with a standing female (Psyche?) waiting for Eros and offering a wreath with her left hand, dressed in a flowing peplos, a small altar before. 90 grams, 27 cm wide



Ex Barnard & Moore, 2003. From a Norfolk, UK, private collection. Accompanied by an original thermoluminescence analysis report no.N123k4 from Oxford Authentication. Accompanied by an old Moore Antiquities identification card with reference no.1958 and invoice dated 26 July 2003. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11918-205900.

The Iliupersis Painter was a south Italic Greek vase painter whose name is unknown. The name derives from a represented scene in a volute crater in the British Museum depicting the sacking of Troy (Iliou Persis). The characteristic pillar-shaped monument depicted here can be seen also on the MET hydria, where the closed foot of the woman corresponds in detail to the one on our vase. The Iliupersis Painter was a prolific and innovative artist, active just before mid 4th century B.C., whose work set the standard for the large, ornate-style vases of the second half of the same century: volute-kraters with plastic masks on the volutes, increased polychromy, complex floral ornament, multilevel compositions, mourners surrounding funerary naiskoi and stelei.

A Graeco-Roman or Phoenician chain of loop-in-loop links and thick suspension ring, gold dome with bands of applied granules capping an egg-shaped banded agate drop. 26.19 grams, 48 cm long



Acquired in the late 1980s-early 1990s. Important North West London collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11935-210477.

Agate was appreciated in the Greek and Roman world for its magical virtues. A recently found agate gemstone from Imperial-era Anapa, which differs from the other similar agate stones in its spherical shape and large size, was inscribed with a text referring to traditional Greek expulsion rituals against evil and diseases, ending with a list of human head parts similar to the one found in the Hippocratic medical handbook. The gemstone was probably worn not only as an amulet, but also as a miniature handbook with instructions for making amulets. According to Pliny the Elder (NH, XXXVII, 47) a certain type of agate was protected against spiders and scorpions.