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LOT 0498
Cypriot Redware Cup with Wishbone Handle
1450-1200 B.C.
5 1/2 in. (96 grams, 14 cm).
Cup or bowl of spherical shape, unpainted, fitted with a wishbone handle. [No Reserve]
ProvenanceEx P.A., Hertfordshire, UK, specialist collection of Greek art, 1980-1990s.
LiteratureCf. similar cup at the Metropolitan Museum of Art, accession no.74.51.1148, Cesnola collection.
FootnotesThe presence of Achaeans in Cyprus, in late Cypriot II, also significantly influenced the life of the island from a ceramic production point of view. The social changes and new habits that developed among the elites of the main urban centres of the island included elaborate funerary displays, a means through which the emerging elite could express its identity and differentiate itself from other social groups. The ceramic forms were often cups intended for elaborate libation rituals, symposia, or ceremonies equivalent to Near Eastern marzeah, during which drinking services including kraters for mixing wine, cups and jugs were used. Alongside the more elaborate Achaean pottery, local Cypriot pottery (white-slip and base-ring) was still in use.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Ex French Sorbonne archaeology professor (deceased); 1960s -2000s.
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Greek Apulian Black-Glazed Mug
Circa 4th-3rd century B.C.Estimate: £300 - 400 (+bp*)
Opening Bid: £100
With a high-gloss black slip, ovoid body and a short wide neck with a flaring rim, a wide strap handle and a flat base. 144 grams, 95 mm wide
Ex P. A., Hertfordshire, UK, specialist collection of Greek art, 1980-1990s.
The black glaze technique uses the same glaze used by the Greeks on the red-figure and black-figure ceramics, but covering the entire piece, without figurative decoration. It was a transparent raw glaze, which took on its characteristic intense, glossy black tone after firing.
