Cypriot Red Burnished Ware Pitcher

The elegant figure depicting the Greek god of fire and metalworking seated and nude except for the pilos on his head, lean body with naturalistic detailing, shown bearded and with curly hair emerging beneath the cap; he would have once held a pair of tongs in his left hand and a hammer in his right hand; accompanied by a custom-made display stand. 294 grams total, 13.5 cm high including stand

Fine condition, wonderful state of preservation, very rare.

with Elie Borowski, Basel. Subsequently in the collection of Denys Sutton (1917-1991), London, acquired from the above on 11 October 1963. Thence by descent. with Sotheby's, New York, 6 December 2012, lot 11. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11827-207739.

According to legend, Hephaistos was thrown into the ocean by his mother Hera and raised by the sea nymph Thetis. Upon his return to Olympus, he took his revenge by imprisoning his mother and obtaining the hand of the most beautiful of the goddesses, Aphrodite. He became the blacksmith of the gods. Sculptural depictions of the god, known as Vulcan to the Romans, are very rare. Hephaistos was the armourer of the heroes, and certainly his greatest artwork was making Achilles' armour.

Each composed of a pair of bifacial addorsed horse-heads with filigree and granule detailing, filigree loop to each mouth, coil to each forehead, six loops to the underside each with a chain and sheet gold fruit pendant; to each face an inset glass cabochon; one with twisted wire ear hook above; both earrings with ancient chain dangles, one with a replicant horse. 18.08 grams total, 58-64 mm



Previously acquired on the UK art market between 1978-1980. Ex property of a North West London gentleman.

Comprising six fragments from a bowl once decorated with concentric circles around a central disc with expanding black rays, remains of palmette to the sides of the handle; the internal base with two facing warriors holding spears and a wreath, the older one depicted with a beard. 67 grams total, 34-89 mm



Acquired in Europe before 1990. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11820-206481.

The Rider Painter was a Laconian vase painter active between 560 and 530 B.C. and is considered to be one of the five great vase painters of Sparta. He painted various forms predominantly kylikes but also lebetes, a form rare in this area. He mainly painted scenes from mythology, such as figures like Cadmos or Heracles, and tales such as the blinding of Polyphemus. In addition, he realised pictures from everyday life. The attribution of these fragments to his workmanship can be supported by the motifs painted on the exterior decoration of the vessel, and by the shape of the birds and figures. The illustrated scene is fitting within the warrior society of Spartan Laconia.