Cylinder Seal Electrotype Group

Tear-shaped frame with loop and irregular dangle below; carved nacre relief of the Virgin and Child; Mother of God shown crowned and in profile, tenderly supporting the Christ Child on her lap; applied gold Corpus Christi to reverse. 20.5 grams, 70 mm



Private collection, Europe. Acquired on the German art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13056-248332.

The carving, with its luminous iridescence and softly modelled planes, captures both the sacred intimacy of the subject and the shimmering qualities of the material. The mount is worked in silver with chased foliate detail and suspends a natural baroque pearl drop. The reverse is finely engraved with radiating rays, clouds, and the inscription INRI, centred by a parcel-gilt figure of the Crucified Christ affixed to the ground. This juxtaposition of the Virgin and Child with the Passion underscores the dual themes of Incarnation and Redemption, reflecting late medieval devotional practices.

Of academic interest, copper coated lead seal impressions taken from cylinder seals, including master of animals, courtly scenes and three with cuneiform text. 271 grams total, 34-49 mm



Possibly made by the British Museum. From a West Country, UK, private collection.

Discoid with ribbed border and central raised pellet, motif of a winged centaur holding a square shield and a staff(?), foliage motif to the background; pierced three times to the rim. 153 grams, 10.1 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.

This version of a centaur was known as ‘kitovras’, an old Russian version of the word ‘kentauros’. He is typically portrayed with the body of a horse and the torso and head of a man, often featuring prominent wings and wearing armour. Kitovras is best known from a legend, ‘The Tale of Solomon and Kitovras’, in which he is tricked into building the temple for King Solomon. While held in captivity, Kitovras tells Solomon how to obtain the stone needed to build the temple and stays with him through its completion. When Solomon doubts Kitovras’ strength, Kitovras throws him to the edge of the Promised Land, but the king eventually returns and takes back the throne.