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LOT 2089
Cylinder Seal Electrotype Group
LATE 19TH-EARLY 20TH CENTURY A.D.
1 1/2 - 1 3/4 in. (278 grams total, 39-47 mm).
Of academic interest, copper-coated lead seal impressions including presentation scenes, combat scenes, court scenes and others; some with cuneiform text. [12, No Reserve]
ProvenancePossibly made by the British Museum.
From a West Country, UK, private collection.
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AUCTIONS:
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Large Post-Classical Agate Gemstone Depicting a Double Portrait of Hellenistic Rulers
19th century A.D. or earlierEstimate: £500 - 700 (+bp*)
Opening Bid: £250
Intaglio jugate busts of a bearded male with browband in the foreground and female bust to the rear with diadem; supplied with a museum-quality impression. 7.37 grams, 31 mm
with Hotel des Ventes de Monte-Carlo, 2022. Private collection, England.
The image portrays human rulers as Zeus and Hera/Jupiter and Juno. -
Neoclassical Citrine Gemstone with Putto and Goose
18th-19th century A.D.Sold for (Inc. bp): £1,430
Plano-convex type with incuse scene of a putto kneeling on an arrow with one leg extended over it, holding the flight-feather of a bird in one hand and encouraging a goose to feed from the other hand; with traces of copper tooling; supplied with a museum-quality impression. 1.32 grams, 12 mm
Private English collection, formed between the late 1970s and early 1990s. Private collection, London, UK.
Perhaps the putto is encouraging the goose to approach him so that he can pluck its flight-feathers for use on the shafts of his arrows. -
Post Medieval Marble Portrait of the Greek Goddess Hera
17th-18th century A.D.Sold for (Inc. bp): £5,980
Modelled in the round with gracile features, braided hair, arched diadem to the brow. 32 kg, 42 cm high including stand
Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13081-249676.
The type of sculpture seems to be inspired by the type of the Barberini Hera, a Roman copy from the imperial age, today in the Chiaramonti Museum (Vatican Museums). The sculpture was discovered by the antiquarian Leonardo Agostini in the late 17th century, during excavations on the Viminal Hill. The site was located beneath the convent affiliated with the church of San Lorenzo in Panisperna, an area known to have hosted the ancient Baths of Olympiades. Its identification as the Barberini Hera was established by its early owner, Cardinal Francesco Barberini.