Civil War Starr Percussion 1858 Army Revolver

To both lateral faces, the upper face of the blade and the rear of the socket decorated with an interlaced design; slender body with bearded lower edge and curved blade, lateral spurs and rectangular panel to the butt. 282 grams, 14 cm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK. Accompanied by a copy of a four page report written by Saxon and Viking specialist Stephen Pollington. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11878-206842.

The style of the design inlaid to the axe is interesting since it evidently owes a great deal to the kinds of Insular Style ornament found in manuscripts of the 8th century in the British Isles. The elegant curves of the narrow tendrils are strongly reminiscent of the zoomorphic elements found in the Lindisfarne Gospels, St Gall Codex and the Book of Kells (Salin, 1935, pp.342-3; Moss, 2018) and the inlaid designs show the characteristic parallel curves found for example on some of the initials in those documents. The tight knot serpentine bodies recalls the similar dense knot found in the Kells manuscript (Salin's figure 731). However, the details of the layout and execution show that the piece is unlikely to have originated in the British Isles.

Comprising a hoop with reserved triangular ornament on the edges and triangular plaque with foliage motifs, raised central panel with frond motif. 22.61 grams, 34.77 mm overall, 25.16 mm internal diameter



Acquired in the 1990s. Ex Cambridgeshire, UK, collection.

Archer rings in Late Byzantium and the medieval Balkans were connected with the employment of the powerful composite bow, but very often, in the 14th century they served as insignia of rank for aristocratic noblemen. Archaeological findings of archers’ rings originate mainly from fortified towns, including mining centres. Many were made in bone, simple in design and undecorated. In contrast, the ones made in bronze and silver were usually decorated in rather uniform style, consisting of floral motifs on the head, mostly tulip and foliage, and linear motifs around the edges. This decoration combined Turkish, Central European and Eastern Roman traditional patterns.

Consisting of two sections joined with bronze rivets; above a domed section with row of rivets; below, a folded band with rolled rim, with rivets to the rear holding two halves; line of holes to the base for securing an inner lining. 2.2 kg total, 31.5 cm high including stand



Acquired in the 1970s. Ex private Austrian collection. The Kusmirek Collection, UK. Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by a metal analysis and appraisal by Dr Brian Gilmour. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11764-203980.

The upper part of the helmet was probably modified in antiquity, the lower part of the eye holes and the cheek pieces have been cut away, and replacement cheek pieces, now lacking, were once crudely rivetted to the sides.