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LOT 0380
Civil War Period Gold Poison Ring
17TH CENTURY A.D.
7/8 in. (7.49 grams, 22.28 mm overall, 18.87 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)).
With expanding shoulders, scrolled outline to the plaque, hinged folding tube below the central panel.
ProvenanceFrom the private collection of N.Thomas, 1979-1987.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12481-229481.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
See Oman, C.C., Victoria and Albert Museum Catalogue of Rings, reprinted Ipswich, 1993, for discussion.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Articulated Skeleton in Gold Closet Memento Mori Pendant Charm
Early 20th century A.D.Sold for (Inc. bp): £3,380
Formed as a cupboard with hinged door, decorative openwork backplate and an applied large question mark to the door; inside the cupboard a white enamelled skeleton with articulated fold-out legs and articulated jaw operated by lever from the rear. 5.39 grams, 40 mm (legs extended)
Property of a County Durham collector; acquired on the UK art market. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Scottish Masonic 32nd Degree Gold and Platinum Ring with 1 Carat Diamond
20th century A.D.Sold for (Inc. bp): £1,950
Comprising a wide D-shaped 14 carat yellow gold hoop expanding at the shoulders, pelletted band above a triangle to each shoulder, one with '32' and the other with Hebrew letter 'yod'; openwork platinum bezel formed as a double-headed eagle gripping a perch and with its wings spread, the body set with a one carat brilliant cut diamond (small chip); stamped to the inner face '14 KT PLAT'. 14.67 grams, 25.80 mm overall, 20.21 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)
Acquired on the UK art market. Ex Property of a County Durham collector. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12490-230251. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
There is no officially mandated design for 32nd degree Scottish Rite rings beyond the double-headed eagle, hence they can vary greatly in appearance. Common symbols include the number 32, triangles, the Hebrew letter yod (as in this example), and the square and compasses. Since the 32nd degree ring is a reflection of its owner's Masonic journey, the rings can sometimes also contain symbols from other Masonic orders. -
Ethiopian Wooden Diptych Icon of the Virgin and Child with Gabra Manfus Qeddus and Saints
17th century A.D.Sold for (Inc. bp): £2,210
Portable shrine with geometric ornament and crosses to the outer face, opening doors to reveal a diptych with image of Mary Theotokos and Child, escorted by angels Gabriel and Michael with drawn swords, on the left; on the right, Abune Gabra Manfus Qeddus with hands raised, nimbate figures of Takla Haymanot and Ewostatewos with yellow and blue garments on the right; on the lower right corner Saint George (Bet Gorgis) killing the dragon. 453 grams, 21.8 x 19 cm
Sir Alistair McAlpine, circa 2000. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
In the Ethiopian icons, Gabra Manfas Qeddus (Servant of the Holy Spirit) the famous hermit whose sanctity tamed the wild beasts, is often represented. The exterior faces of these diptych panels, like the smaller bilateral diptychs of the 17th century, were carved with centralised cross designs that reflects the carved designs of contemporary wooden altar tablets.