Civil War and Later Musket and Pistol Ball Collection

Each door a single board with graduated scalloped upper edge, horizontal wooden bars to the reverse, hand-forged iron hinge knuckles and D-section leader to left door; primed with tempera on both faces and painted on the obverse, each with a bottle-green field, blue-grey frontage with vermillion upper storey and gilt roof; Left Door: portion of city wall with tall, narrow building behind, balcony at the upper level with King David standing holding an unfurled scroll, wearing a gilt crown, vermillion tunic and blue mantle; before the wall a winged angel Gabriel holding a frond, wearing a draped mantle over ankle-length chiton and sandals; above, red painted legend 'BOUNA'; to the right edge, a D-section leader painted with red, white and blue diagonal stripes; Right Door: portion of city wall with tall, narrow building behind, balcony at the upper level with King Solomon standing holding a scroll and wearing a gilt crown, similar tunic and mantle to the other; dove descending towards Mary standing before the wall in front of a cushioned throne, with gilt nimbus around her head; red painted legend 'V E S T I R E' above; rare. 13.8 kg total, 132 x 34 cm each



Property of a London, UK, gentleman collector. Accompanied by a copy of a Romanian export licence. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12466-229954. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The 'royal doors' (Greek: Ωραία Πύλη) mark the entrance to the iconostasis (wooden screen hiding the altar) in an Eastern Orthodox church.

A tribal head modelled from leather with applied hair, moustache, eyebrows and eyelashes; pierced through the lips and ears; set in a later glass dome with base. 810 grams total, 20.5 cm including stand



Acquired Mellors & Kirk, circa 2019. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The freak show was the archetypal expression of popular culture, enjoyed by everyone regardless of their class. The freak show was presented to the public as entertaining and educational, offering the opportunity to learn about anatomy and the ‘realities’ of people from foreign lands. The real 'shrunken heads' known as tsantsas were severed human heads that were used by tribal cultures as war trophies or for ceremonial purposes. They were also used to scare off an enemy, using the heads as a threat, or also in religious rituals.

The shank round in section, undulating in form with pinched facets. 6.61 grams, 56 mm



From an old English collection. Acquired from Helios Gallery in 2011. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.