Chinese Wei Buddha Brick

A group of three ceramic musician figurines, each in loose-fitting garments with painted detailing: one cross-legged with a pot, another sitting with a gord, a third standing with a tambour. 1.9 kg total, 16-18 cm



Ex Hong Kong collection. London Mayfair gallery, UK. Accompanied by a thermoluminescence analysis report no.C122k23 from Oxford Authentication for one of the figures.

A large gilt bronze Shakyamuni Buddha figure seated cross-legged in virasana on a semi-circular lotus flower dais, right hand in bhumisparsha mudra, the left resting on his lap, wearing a samghati adorned with floral motifs, his face with a meditative expression and with downcast eyes below arched eyebrows, aquiline nose, gentle smile, elongated earlobes, the hair in tight curls surmounted by a flame. 99.5 kg, 95 cm high



French collection, 1960s-early 2000s. From an important Paris gallery, France. with Ogotai (?) Auctions, Paris, France, 22 January 2016, lot 2. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11714-199350.

The historical Buddha, Shakyamuni Buddha, (born Prince Siddhartha Gautama) was the founder of the Buddhist religion; he lived and taught in 6th century India. Born to a royal or aristocratic family of the Shakya kingdom, at age 29 he learned of the deep suffering experience by the people of his land, causing him to relinquish his title and palace home and after six years of study, self-sacrifice and meditation, became an enlightened Buddha. Here, Buddha is shown seated in a yogic meditative posture, his right hand gesturing towards the Earth Goddess at the moment prior to his enlightenment. He displays many of the lakshanas, or auspicious marks of Buddhahood- the extended earlobes remind the viewer of his former princely status; three rings around the neck; urna formed from a curl of hair.

A gilt bronze sword pommel composed of a discoid body and cylindrical socket pierced twice for attachment (one piercing occluded); a circumferential zoomorphic frieze in raised relief to the exterior, displaying a procession of vegetal forms alternating with real and mythical creatures, each with stylised anatomical detailing: a monkey; a fenghuang; a leopard (or other feline); a tiger; set with a moonstone quality khotain jade roundel, carved in high-relief with two sinuous fantastical beasts, swirling clouds in the field; some restoration. 387 grams, 76 mm



Acquired from Dandelion Fine Arts, Hollywood Road, Hong Kong, 1970s. Ex Prof. David Anderson collection. UK private collection, circa 2010. Accompanied by a copy of metallurgic analytical results, written by Metallurgist Dr Peter Northover (ex Department of Materials, Materials Science-Based Archaeology Group & Department of Materials, University of Oxford). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11706-198359

Khotain jade was available between the years 69 B.C. and 101 A.D. as a result of a military treaty. It was sourced from the White Jade River. This object is believed to be produced for a notable client, possibly even a royal one given the item's similarity to a finial excavated from the tomb of a Prince of Zhongshan. The object's original patina, prior to restoration, suggested that the vessel was part of a ritual which involved exposure to intense heat.