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LOT 2174
Chinese Tang Terracotta Horse
TANG DYNASTY, 618-907 A.D.
20 in. (14.2 kg, 51 cm high).
Modelled in the round standing on a rectangular base, one foreleg raised, head bent down and to the right, short dressed tail tied with a ribbon; wearing saddlecloth, saddle and harness adorned with bells; remaining polychrome pigmentation.
ProvenanceFrom a West Country, UK, collection, 1990s.
Accompanied by a thermoluminescence analysis report no.C122d29 from Oxford Authentication.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.203476.
See Prodan, M., The Art of The T'ang Potter, London, 1960, for a comparable example (pl.XI).
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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South East Asian Ban Chiang Period Painted Chalice
Middle Period, 900-300 B.C.Sold for (Inc. bp): £72
Squat carinated bowl with flared neck and rim atop a trumpet-shaped base, remains of painted interlocking spiral motifs; foot repaired. 879 grams, 16.5 cm high
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
In Ban Chiang pottery the most common body shape is an ellipsoid form with a rounded bottom covered by a low outflaring pedestal base. The neck variations include a low straight-sided neck and a higher outflaring neck. Body-pedestal juncture and body-neck juncture may be either angular or curved. The same neck variations occur on a globular body, in addition to a composite concave-convex neck form not occurring on the ellipsoid bodies. Again, all examples have low outflaring pedestal bases. -
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From the private collection of H. Norry, 1980s-1990s.