Chinese Tang Kneeling Camel

A glazed ceramic Yuan style provincial ware jar with carinated profile and narrow foot, deep shoulder and raised rim, painted floral and tendril motifs to the body. 1.1 kg, 18 cm

Fine condition.

Ex North London collection of ceramics, 1990s.

A gilt-bronze figure (after the Gandharan style, or that of the neighbouring Uddiyana region), of Shakyamuni Buddha modelled with his hands clasped together in dhyana mudra and seated in the dhyanasana posture on a throne flanked by two roaring lions; robes with U-shaped folds in the Mathuran style and the head with a prominent ushnisha. 95 grams, 70 mm

Fine condition.

Acquired for the ‘Buckingham Collection’ by the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert; the collection formed from the early 1960s to early 1970s; displayed at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September-20 October 2010, extended to 16 November and again to 7 January 2011; where the collection of one hundred pieces was publicly valued at US$ 15M; this piece was scheduled to be included in an exhibition titled ‘On the Silk Route; Birth of The Buddha’, to be held in London from November 2012, but sadly his death prevented this. Accompanied by copies of several press releases and articles for the exhibition, including Artnet News, This Week in New York, Huffpost, Buddhist Art News, and copies of the relevant London and Tibet House exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10907-168639.

Gandhara was a principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions.

A gilt bronze and Khotain moonstone quality jade beaker composed of a slender U-shaped body, bulbous stem and discoid foot, the applied handle formed as the head, neck and legs of a mythical bird, likely a fenghuang, with detailing to the creature's feathers, face, beak and limbs, body formed as the handle loop, wings carved in relief in the jade; the jade vessel body carved in relief with neat rows of volute scrolls, stylised petals in relief around the lower body and foot; some restoration. 709 grams, 14.5 cm high



Acquired from Dandelion Fine Arts, Hollywood Road, Hong Kong, 1970s. Ex Prof. David Anderson collection. UK private collection, circa 2010. Accompanied by a copy of metallurgic analytical results, written by Metallurgist Dr Peter Northover (ex Department of Materials, Materials Science-Based Archaeology Group & Department of Materials, University of Oxford). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11707-198358.

Khotain jade was available between the years 69 B.C. and 101 A.D. as a result of a military treaty. It was sourced from the White Jade River. This object is believed to be produced for a notable client. The object's original patina, prior to restoration, suggested that the vessel was part of a ritual which involved exposure to intense heat.