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LOT 1525
Chinese Tang Horse and Rider
TANG DYNASTY, 618-907 A.D. OR LATER
12 5/8 in. (1.67 kg, 32 cm high).
A ceramic horse and (possibly female) rider figure modelled in the round, the animal posed standing on a rectangular base, its stocky neck arched and head held facing down, tail resting between hindlegs, with painted detailing to the head, mane and harness and wearing a saddle cloth and saddle; the rider wearing a full-length robe, arms and hands relaxed by the sides, poised to grip the horse's reins near to the saddle, stylised facial detailing and hair tied in a top knot.
ProvenanceAcquired on the UK art market, circa 2001.
UK private collection.
Cf. The Metropolitan Museum, New York, accession numbers 13.220.69 and 51.93a, b, for similar examples dating to the Tang Dynasty.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 1525
Chinese Tang Horse and Rider
Estimate £500 - 700€580 - 810 (for guidance only)$680 - 950 (for guidance only)
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Chinese Wei Shakyamuni Buddha on Lion Throne
Northern Wei Dynasty, 386-534 A.D.Sold for (Inc. bp): £3,380
A gilt-bronze figure (after the Gandharan style, or that of the neighbouring Uddiyana region), of Shakyamuni Buddha modelled with his hands clasped together in dhyana mudra and seated in the dhyanasana posture on a throne flanked by two roaring lions; robes with U-shaped folds in the Mathuran style and the head with a prominent ushnisha. 95 grams, 70 mm
Fine condition.
Acquired for the ‘Buckingham Collection’ by the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert; the collection formed from the early 1960s to early 1970s; displayed at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September-20 October 2010, extended to 16 November and again to 7 January 2011; where the collection of one hundred pieces was publicly valued at US$ 15M; this piece was scheduled to be included in an exhibition titled ‘On the Silk Route; Birth of The Buddha’, to be held in London from November 2012, but sadly his death prevented this. Accompanied by copies of several press releases and articles for the exhibition, including Artnet News, This Week in New York, Huffpost, Buddhist Art News, and copies of the relevant London and Tibet House exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10907-168639.
Gandhara was a principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions. -
Chinese Tang Dynasty Glazed Offering Bowl
Tang Dynasty, 618-907 A.D.Estimate: £400 - 600 (+bp*)
Opening Bid: £150
A ceramic offering bowl composed of a hemispherical body with broad everted rim and splayed stem, inverted rim to foot; tri-colour san t'sai glazed decoration to the interior and exterior of the bowl. 402 grams, 15.5 cm wide
Acquired 1980-2015. Ex Abelita family collection. -
Chinese Shang Stone Cong
Shang Dynasty, circa 13th-12th century B.C.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
A stone ritual 'cong' artefact of cuboidal form with cylindrical socket open at both ends, raised lip to both opening, the rectangular faces decorated with four corner panels, each divided into four horizontal panels displaying geometric motifs composed of circles and horizontal bands, possibly representing figurative zoomorphic motifs. 573 grams, 95 mm
Acquired in Hong Kong, 1980s. Ex Kelvin Choi's collection, circa 2009. UK private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11708-198350.
The name cong is applied to a straight tube with a circular bore and square outer section. The outer faces are often decorated with masks which may be related to the taotie motifs found on bronze vessels. Its original function is unknown.
