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LOT 0419
Chinese Tang Horse and Rider with Dog
TANG DYNASTY, 618-907 A.D.
16 1/2 in. (3.9 kg, 42 cm high).
A ceramic horse and rider figure modelled in the round standing on a rectangular base, the animal's head bowed down and turned slightly left, shown with a long and immaculately-kept mane, short dressed tail, saddle cloth decorated with an 'animal skin' pattern and a harness adorned with pendants; the male rider seated in the saddle wearing a knee-length robe and riding boots, his arms positioned to hold reins (absent), a domestic dog perched on a covering behind him; semi-naturalistic anatomical detailing to both figures, the rider shown with a full beard and mustache, wearing a cap.
ProvenanceAcquired 1980s-1990s.
Ex West Country collection.
Accompanied by an original thermoluminescence analysis report no. C122f84 from Oxford Authentication.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11702-199228.
Cf. The Metropolitan Museum, accession number 991.253.7a, b, for a broadly comparable figure.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0419
Chinese Tang Horse and Rider with Dog
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Chinese Mottled Green Jade Bowl
19th-20th century A.D.Estimate: £120 - 170 (+bp*)
Opening Bid: £67
A polished mottled dark green jade bowl with hemispherical body, everted rim and shallow foot. 147 grams, 12 cm diameter
Fine condition.
Ex the late Sir Roger Moss OBE collection. -
Chinese Wei Brick with Buddha in Paranirvana
Wei Dynasty, 534-550 A.D.Sold for (Inc. bp): £416
A rectangular ceramic brick bearing a high-relief image of Buddha in Paranirvana, set within a rectangular niché, head resting on raised arm and hand, detailing to the face, ushnisha, hands, feet and robes; remains of painted pigmentation. 5.2 kg, 35.5 x 17 cm
Acquired 1970-1990s. Ex Hong Kong collection. From a private West Country collection. -
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Chinese Wei Shakyamuni Buddha on Lion Throne
Northern Wei Dynasty, 386-534 A.D.Sold for (Inc. bp): £3,380
A gilt-bronze figure (after the Gandharan style, or that of the neighbouring Uddiyana region), of Shakyamuni Buddha modelled with his hands clasped together in dhyana mudra and seated in the dhyanasana posture on a throne flanked by two roaring lions; robes with U-shaped folds in the Mathuran style and the head with a prominent ushnisha. 95 grams, 70 mm
Fine condition.
Acquired for the ‘Buckingham Collection’ by the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert; the collection formed from the early 1960s to early 1970s; displayed at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September-20 October 2010, extended to 16 November and again to 7 January 2011; where the collection of one hundred pieces was publicly valued at US$ 15M; this piece was scheduled to be included in an exhibition titled ‘On the Silk Route; Birth of The Buddha’, to be held in London from November 2012, but sadly his death prevented this. Accompanied by copies of several press releases and articles for the exhibition, including Artnet News, This Week in New York, Huffpost, Buddhist Art News, and copies of the relevant London and Tibet House exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10907-168639.
Gandhara was a principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions.
