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LOT 1591
Chinese Han Style Bronze Bear Finial
19TH-20TH CENTURY A.D.
2 1/4 in. (135 grams, 58 mm).
A bronze finial formed as a bear in a seated position, one leg drawn up beside its body with left paw resting upon it, the other pushed out to the side of its body, the right paw resting upon it, large head with gaping mouth exposing teeth and tongue, pricked ears and bulging eyes, sagging breasts resting atop the creature's pot-belly, incised fur detailing and a short tail to the reverse; hollow-formed.
ProvenanceAcquired 1980-1990s.
From a West Country collection.
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AUCTIONS:
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LOT 1591
Chinese Han Style Bronze Bear Finial
Estimate £250 - 300€290 - 350 (for guidance only)$340 - 410 (for guidance only)
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Sino-Tibetan Gilt Buddha Figure
19th-early 20th century A.D.Estimate: £400 - 600 (+bp*)
Opening Bid: £200
A hollow-formed gilt-bronze figure of Buddha sitting cross-legged on a lotus-flower dais, cradling a vessel in his left hand and touching the earth with his right hand in the Bhumisparsha mudra at the instant of his enlightenment. 1.5 kg, 22 cm high
Acquired 1980-2015. Ex Abelita family collection. -
Chinese Han Style Bronze Weight
20th century A.D.Estimate: £250 - 350 (+bp*)
Opening Bid: £139
A Han-style bronze weight in the form of a chimera, with a tortoise-like shell, dragonesque head and claws and flaming tail; hollow-formed. 447 grams, 10.9 cm
Fine condition.
Acquired 1980-1990s. From a West Country collection. -
Chinese Wei Shakyamuni Buddha on Lion Throne
Northern Wei Dynasty, 386-534 A.D.Sold for (Inc. bp): £3,380
A gilt-bronze figure (after the Gandharan style, or that of the neighbouring Uddiyana region), of Shakyamuni Buddha modelled with his hands clasped together in dhyana mudra and seated in the dhyanasana posture on a throne flanked by two roaring lions; robes with U-shaped folds in the Mathuran style and the head with a prominent ushnisha. 95 grams, 70 mm
Fine condition.
Acquired for the ‘Buckingham Collection’ by the late Nik Douglas (1944-2012), renowned author, curator and Asian art expert; the collection formed from the early 1960s to early 1970s; displayed at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September-20 October 2010, extended to 16 November and again to 7 January 2011; where the collection of one hundred pieces was publicly valued at US$ 15M; this piece was scheduled to be included in an exhibition titled ‘On the Silk Route; Birth of The Buddha’, to be held in London from November 2012, but sadly his death prevented this. Accompanied by copies of several press releases and articles for the exhibition, including Artnet News, This Week in New York, Huffpost, Buddhist Art News, and copies of the relevant London and Tibet House exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10907-168639.
Gandhara was a principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions.