Chinese Han Horse Torso

A rectangular ceramic brick featuring three ogival niches, each containing a Buddha figure in high-relief, robed and seated on a dais; remains of polychrome pigmentation. 6.8 kg, 34.5 x 17 cm

Fine condition.

Acquired 2000s. London, UK, collection.

A ceramic horse and female rider figure, modelled in the round on a rhomboidal base; the horse portrayed with semi-naturalistic anatomical detailing, medium-length mane, short tail dressed with a ribbon, its head angled slightly downwards and ears pricked forwards; the female rider modelled seated in a saddle, wearing a knee-length robe and boots, arms held in front of her body, hands held in a gripping position to accept reins (absent), her hair dressed in a top knot, stylised facial features; extensive remains of polychrome pigmentation. 5.1 kg, 45 cm high



Acquired in the 1990s. From a North Yorkshire private collection, UK. Accompanied by an original thermoluminescence analysis report no.C122h21 from Oxford Authentication.

In Tang art, poetry and painting the horse was exalted. The delight taken in portraying horses became an end in itself. Women were made to mount them, according to the Tang conception, so that the two can be considered together, introducing in China a fashion from Kotan.

A piriform ceramic jar with short neck, everted rim and two integral lug handles, the upper body painted with a figurative 'frog' motif. 3 kg, 30 cm high



Acquired 1970s-1990s. Ex West Country collection.