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LOT 2004
Chinese Enamelled Bronze Ewer for the Indian Market
LATE 19TH CENTURY A.D.
12 1/4 in. (1.5 kg, 31 cm).
Piriform in profile with detachable lid, curved strap andle and spout, hexagonal base; white enamelled surface with painted tendrils and flowers.
ProvenancePrivate collection, UK.
LiteratureCf. Christie’s, Oriental Ceramics and Works of Art, 4th December 1997, London, 1997, lot.650, for a similar artefact.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 2004
Chinese Enamelled Bronze Ewer for the Indian Market
Estimate £300 - 400€350 - 460 (for guidance only)$410 - 540 (for guidance only)
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Tudor Period Bronze Hook Fastener Group
Circa 16th century A.D.Sold for (Inc. bp): £26
Comprising three openwork hook fasteners with scrolls. 7.44 grams total, 22-34 mm
From the private collection of Graham Slater (1927-2024), Cambridge, UK; formed 1980s-1990s. -
Post Medieval Silver Ring with Eros, the God of Love Seated
Circa 18th-19th century A.D.Sold for (Inc. bp): £78
Flat-section hoop expanding towards the shoulders, a separately made rectangular bezel with seated winged Eros before a woven basket; the shoulder's stamped with '84' and 'A?'. 1.62 grams, 21.05 mm overall, 19.35 x 19.01 mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17)
Acquired on the UK art market. Property of a Suffolk, UK, gentleman. -
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Renaissance Gold Fob Seal with Carnelian Gemstone of a Herm and Figures
16th-19th century A.D.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
An oval intaglio finely engraved with a classical scene, at the centre a herm upon a plinth, flanked by two figures: the woman on the left wearing a gown with loose drapery falling across her arms, while the figure to the right is shown nude, the body scarcely veiled by a fine transparent cloth; at the far right a sacrificial altar surmounted by a lyre, introducing a musical or poetic dimension to the scene and emphasising its votive character; mounted in an ornate 18th-century French gold fob mount, pierced with scrolling foliate ornament and stamped with duty marks; supplied with a museum-quality impression. 6.60 grams, 25 mm
Acquired on the European art market.
The gem, cut in the 16th century, reflects the Renaissance revival of antique glyptic art, where Roman prototypes were carefully studied and reinterpreted with elegance and precision. The finely executed incision and harmonious arrangement of clothed and unclothed figures highlight the engraver’s technical mastery and antiquarian erudition.
