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LOT 0383
Chalcedony and Silver-Gilt Bust of the Emperor Vespasian
ITALY, 17TH-18TH CENTURY A.D.
4 1/4 in. (208 grams total, 10.9 cm high including stand).
The head, carved from pale green chalcedony, polished to a smooth lustre and with a drilled aperture at the crown, the hair in tight curls around the nape and crown; the silver-gilt torso dressed in a draped toga carefully chased with deep folds and traces of gilding across the high points; mounted on a later patinated bronze column stand in the neoclassical manner.
ProvenanceAcquired on the European art market.
LiteratureSee for comparable mounted hardstone busts of emperors, frequently combining chalcedony, agate or jade with gilt-metal or bronze mounts, in the Munich Residenz Treasury and the Grünes Gewölbe, Dresden, both collections rich in small-scale lapidary works of the seventeenth and eighteenth centuries.
FootnotesThis small-scale portrait evokes the Roman tradition of imperial portraiture and the early modern fascination with the ancient world. From the seventeenth century onwards, artists and collectors revived classical subjects through hardstone and gilt-metal compositions, often intended for display in Kunstkammer or Grand Tour contexts. The combination of a reused ancient or earlier element with a later mount was a practice typical of the Renaissance and Baroque periods, reflecting the period’s reverence for antiquity and its imaginative recontextualisation of ancient forms.
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LOT 0383
Chalcedony and Silver-Gilt Bust of the Emperor Vespasian
Estimate £1,500 - 2,000€1,740 - 2,320 (for guidance only)$2,030 - 2,700 (for guidance only)
Opening Bid
£750 (EUR 870; USD 1,013) +BP*
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Post Medieval Gold Fede Ring
17th-18th century A.D.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
Comprising a wide hoop, the shoulders with rectangular panels embellished with scrolling motifs framed by delicate wirework borders, the bezel formed as a pair of clasped hands, finely modelled in low relief, symbolising trust, fidelity, and contractual union, the hands articulated with tapering fingers and subtly defined cuffs. 4.08 grams, 21.08 mm overall, 18.89 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18)
Acquired on the European art market.
The fede motif derives from the medieval formula mani in fede ('hands in trust'), a visual expression of loyalty and binding agreement. Rings of this type circulated widely from the late medieval period onward, gaining particular prominence in the seventeenth and eighteenth centuries as betrothal jewels embodying steadfast commitment. The present example, with its restrained decorative scheme and high gold purity, reflects the enduring appeal of intimate, symbolically charged jewels rooted in long-standing marital and devotional customs. -
Post Medieval Agate Cameo of a Lady in Gold Pendant
19th century A.D.Estimate: £800 - 1,000 (+bp*)
Opening Bid: £400
Carved in low-relief, a female profile bust wearing a straw hat and mantle. 6.40 grams, 36 mm
Private collection, Europe. Acquired on the English art market. -
Gold Fob Seal Set with Jasper Intaglio of Zeus
England, 19th century A.D.Estimate: £500 - 700 (+bp*)
Opening Bid: £250
Comprising a fluted bezel and looped handle, set with an oval intaglio bearing a profile bust of Zeus with long hair and beard, wearing a wreath on his head; supplied with a museum-quality impression. 14.7 grams, 32 mm
Acquired on the European art market.