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Details
LOT 1708
Celtic Bronze God Cauldron Mount
IRON AGE, 1ST CENTURY B.C.-1ST CENTURY A.D.
1 7/8 in. (51.28 grams, 47 mm).
Modelled in the half-round as a male bust with serpent headdress and torc; the hair depicted with a braided outer band framing the face and terminating at the jawline; the brow broad and heavy with raised eyebrows and sunken eye-sockets, narrow nose and small flat mouth; fleshy cheeks and chin; the slender neck with V-shaped collar or torc; the shoulders and chest with a slot to the lower edge to accept a gerrous insert; at the apex a S-curved crest extending to the rear and terminating in a narrow loop.
Provenance
Acquired on the UK art market in the 1980s.
From the private collection of an Essex gentleman.
Literature
See Rolland, H., Bronzes Antiques de Haute Provence, Paris, 1965; Boucher, S., Recherches sur les Bronzes Figurés de Gaule Pré-Romaine et Romaine, Rome, 1976; Boucher, S. & Tassinari, S., Musée de la Civilisation Gallo-Romaine a Lyon: Bronzes Antiques I. Inscriptions, Statuaire, Vaisselle, Lyon, 1976.
Footnotes
The format, workmanship and proportions of the piece recall a number of Gallic images of Iron Age date. The slanting eye sockets below a heavy brow appear, for example, on the idol from Neuvy Pailloux (Boucher, item 47), as does the collar with a centrepiece below the chin on the same item. The thick band of hair appears on a bronze figurine from Neuvy-en-Sullias (Boucher, item 55) and several others (e.g. items 56, 71), but its placement and curvature also suggest a ram's horns. The curved crest may represent a serpent, or more likely the neck of a swan or goose, as seen in a figure of Mars from Chaudon (Rolland, item 24; Boucher, item 69).
The likely function of the piece is difficult to determine since it is too short to form an effective handle or hilt for a dagger, yet the width of the slot (about 1.mm) suggests that it was meant to accept a thin iron sheet. It is possible that the piece was intended to be a decorative mount for the rim of a bowl or cauldron.
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Modelled in the half-round as a male bust with serpent headdress and torc; the hair depicted with a braided outer band framing the face and terminating at the jawline; the brow broad and heavy with raised eyebrows and sunken eye-sockets, narrow nose and small flat mouth; fleshy cheeks and chin; the slender neck with V-shaped collar or torc; the shoulders and chest with a slot to the lower edge to accept a gerrous insert; at the apex a S-curved crest extending to the rear and terminating in a narrow loop. 51.28 grams, 47 mm
Acquired on the UK art market in the 1980s. From the private collection of an Essex gentleman.
The format, workmanship and proportions of the piece recall a number of Gallic images of Iron Age date. The slanting eye sockets below a heavy brow appear, for example, on the idol from Neuvy Pailloux (Boucher, item 47), as does the collar with a centrepiece below the chin on the same item. The thick band of hair appears on a bronze figurine from Neuvy-en-Sullias (Boucher, item 55) and several others (e.g. items 56, 71), but its placement and curvature also suggest a ram's horns. The curved crest may represent a serpent, or more likely the neck of a swan or goose, as seen in a figure of Mars from Chaudon (Rolland, item 24; Boucher, item 69). The likely function of the piece is difficult to determine since it is too short to form an effective handle or hilt for a dagger, yet the width of the slot (about 1.mm) suggests that it was meant to accept a thin iron sheet. It is possible that the piece was intended to be a decorative mount for the rim of a bowl or cauldron.