Loading, please wait...

Use mousewheel to zoom in and out, click to enlarge

Details

LOT 1708

Celtic Bronze God Cauldron Mount

IRON AGE, 1ST CENTURY B.C.-1ST CENTURY A.D.

1 7/8 in. (51.28 grams, 47 mm).

Modelled in the half-round as a male bust with serpent headdress and torc; the hair depicted with a braided outer band framing the face and terminating at the jawline; the brow broad and heavy with raised eyebrows and sunken eye-sockets, narrow nose and small flat mouth; fleshy cheeks and chin; the slender neck with V-shaped collar or torc; the shoulders and chest with a slot to the lower edge to accept a gerrous insert; at the apex a S-curved crest extending to the rear and terminating in a narrow loop.

Provenance

Acquired on the UK art market in the 1980s.
From the private collection of an Essex gentleman.

Literature

See Rolland, H., Bronzes Antiques de Haute Provence, Paris, 1965; Boucher, S., Recherches sur les Bronzes Figurés de Gaule Pré-Romaine et Romaine, Rome, 1976; Boucher, S. & Tassinari, S., Musée de la Civilisation Gallo-Romaine a Lyon: Bronzes Antiques I. Inscriptions, Statuaire, Vaisselle, Lyon, 1976.

Footnotes

The format, workmanship and proportions of the piece recall a number of Gallic images of Iron Age date. The slanting eye sockets below a heavy brow appear, for example, on the idol from Neuvy Pailloux (Boucher, item 47), as does the collar with a centrepiece below the chin on the same item. The thick band of hair appears on a bronze figurine from Neuvy-en-Sullias (Boucher, item 55) and several others (e.g. items 56, 71), but its placement and curvature also suggest a ram's horns. The curved crest may represent a serpent, or more likely the neck of a swan or goose, as seen in a figure of Mars from Chaudon (Rolland, item 24; Boucher, item 69).
The likely function of the piece is difficult to determine since it is too short to form an effective handle or hilt for a dagger, yet the width of the slot (about 1.mm) suggests that it was meant to accept a thin iron sheet. It is possible that the piece was intended to be a decorative mount for the rim of a bowl or cauldron.

CONDITION

VETTING:

TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process


AUCTIONS:

TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.

LOT 1708

Celtic Bronze God Cauldron Mount

Sold for (Inc. bp): £468

Print page

RELATED LOTS

  • Celtic Enamelled Bronze Chariot Lynch Pin Terminal
    Celtic Enamelled Bronze Chariot Lynch Pin Terminal
    1st century B.C.-1st century A.D.

    Sold for (Inc. bp): £468

    Square-section shank with flange and tapering bulb, disc finial with reserved comma-trumpet design and red enamelled field. 64.8 grams, 54 mm



    Found Norfolk, UK.

    Lot Details

  • Celtic to Medieval Bronze Ring Collection
    Celtic to Medieval Bronze Ring Collection
    1st century B.C.-16th century A.D.

    Sold for (Inc. bp): £124

    Comprising five rings with decorative bezels and one small faux-twist ring. 31.8 grams total, 14-28 mm



    Acquired on the UK and EU art market before 2000. From the private collection of a Surrey, UK, gentleman.

    The collection includes possible signet rings that find their parallels with artefacts from Eastern Europe, especially in the area of Smederevo. A 15th A.D. date, for some of them, can be proposed on the basis of parallels from the Balkans.

    Lot Details

  • Celtic Bronze God Cauldron Mount
    Celtic Bronze God Cauldron Mount
    Iron Age, 1st century B.C.-1st century A.D.

    Sold for (Inc. bp): £468

    Modelled in the half-round as a male bust with serpent headdress and torc; the hair depicted with a braided outer band framing the face and terminating at the jawline; the brow broad and heavy with raised eyebrows and sunken eye-sockets, narrow nose and small flat mouth; fleshy cheeks and chin; the slender neck with V-shaped collar or torc; the shoulders and chest with a slot to the lower edge to accept a gerrous insert; at the apex a S-curved crest extending to the rear and terminating in a narrow loop. 51.28 grams, 47 mm



    Acquired on the UK art market in the 1980s. From the private collection of an Essex gentleman.

    The format, workmanship and proportions of the piece recall a number of Gallic images of Iron Age date. The slanting eye sockets below a heavy brow appear, for example, on the idol from Neuvy Pailloux (Boucher, item 47), as does the collar with a centrepiece below the chin on the same item. The thick band of hair appears on a bronze figurine from Neuvy-en-Sullias (Boucher, item 55) and several others (e.g. items 56, 71), but its placement and curvature also suggest a ram's horns. The curved crest may represent a serpent, or more likely the neck of a swan or goose, as seen in a figure of Mars from Chaudon (Rolland, item 24; Boucher, item 69). The likely function of the piece is difficult to determine since it is too short to form an effective handle or hilt for a dagger, yet the width of the slot (about 1.mm) suggests that it was meant to accept a thin iron sheet. It is possible that the piece was intended to be a decorative mount for the rim of a bowl or cauldron.

    Lot Details

Stay up-to-date with the latest from TimeLine Auctions by joining our mailing list