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_900x900.jpg "Campanian Red-Figure Bail Amphora from a Cumae Workshop")
_200x200.jpg "Campanian Red-Figure Bail Amphora from a Cumae Workshop")
.jpg "Campanian Red-Figure Bail Amphora from a Cumae Workshop")
LOT 0066
Campanian Red-Figure Bail Amphora from a Cumae Workshop
330-300 B.C.
14 1/2 in. (862 grams, 37 cm high).
A ceramic red-figure bail amphora with round-section strap handle and pierced lug at the apex, tall waisted neck with vertical rib detailing, rounded shoulder with running wave pattern ornament, tapering body with figural designs of standing females wearing a himation and a stephane in red and white on black ground, one figure holding a thyrsus and the other an ear of corn, with accessories in the field; flared base; from a workshop in Cumae.
ProvenanceEx collection H.& P. Payot, Clarens, by descent.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11577-199027.
Accompanied by an original thermoluminescence analysis report no.QED2223/SG0-0105 from QED Laboratoire.
Cf. similar items in Museum of the Fine Arts in Budapest, inventory number 50.250; the British Museum, London, under accession number 1772,0320.77, in Trendall, A.D., The Red-Figured Vases of Lucania, Campania and Sicily, Oxford, 1967, no.4 p.353; for another bail amphora with similar motif see p.322, no.706, pl.12; Ede, C., Images, London, 2019, pp.49, 101.
FootnotesThe bail amphora, named for the tall handle arching over the mouth, was a shape made primarily in Campania, where red-figure vases were produced at both Capua and Cumae in the 4th century B.C. The decoration offered a remarkable range of subjects associated not only with mythological images, but with representations of the local life, costumes and customs. The simple, single figure compositions decorating each side of this vase are also characteristic of the style, which tended to avoid complex mythological scenes often found on much larger vessels like volute craters, favouring representation of the daily life of south Italic people.
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LOT 0066
Campanian Red-Figure Bail Amphora from a Cumae Workshop
Sold for (Inc. bp): £4,680
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Greek Gold Sphinx Earring
3rd-2nd century B.C.Sold for (Inc. bp): £390
A single gold earring composed of a twisted wire hoop, stylised bust of a sphinx with detailed breast and lion paws. 2.55 grams, 26 mm
Acquired 1980-2015. Ex Abelita family collection.
Earrings with a sphinx represent a variety of the earrings created by the Hellenised goldsmiths of the Black Sea area. These figures usually had an inlaid garnet and are dated between late 3rd and 2nd century B.C. They belong to the category of earrings with a female head, often visible in graves of the Black Sea area and not always of good quality. -
Greek Cream Glass Ribbed Bottle
Late 1st millennium B.C.Estimate: £200 - 300 (‡+bp*)
Opening Bid: £100
An opaque cream-coloured glass bottle with vertical ribbing around the globular body, trumpet-style neck and mouth with rolled rim. 76 grams, 73 mm high
Acquired early 1990s. Ex private American collection; thence by descent. Private collection since 1998. -
Greek Bearded Hermes Head
1st -2nd century A.D.Estimate: £40,000 - 60,000 (+bp*)
Opening Bid: £20,000
A carved marble head of Hermes with densely curled hair, stern facial expression beneath a broad brow, luxuriant curled beard falling in waves and cut square at the lower edge; mounted on a custom-made display stand; a Roman copy after a 5th century B.C. Greek original. 32.2 kg total, 52 cm high including stand
Slot to top of head.
with Chaucer Fine Arts Ltd, 1980s. English private collection. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11615-199747.
This type of this archaic sculpture can be traced back to the original of which many copies and variants have been preserved: the Hermes Propylaios by the Attic sculptor Alkamenes, a pupil of Phidias, active in the second half of the 5th century B.C. According to some theories, the herma was created for the Propylaea of the acropolis of Athens, as patron deity of doors and entrances; according to others, this type of bearded Hermes is not to be located at the Propylaea, but in various possible places inside the Acropolis.
