Byzantine Large Gold and Blue Glass Pendant

Comprising a triple geometric rhomboidal figure, where three rhombuses are drawn one inside the other and distinguished by different shades of yellow, white and light red, the latter figure marked in the centre by a white space; the three figures are vertically arranged in a perfect geometric axis on a light background. 36.3 kg, 114.5 cm including frame



Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11823-207411.

The tendency to use abstract and geometric motifs characterises the mosaic art of the Levant under the domination of Byzantium. Close ties can be identified between these rhomboidal figures and those of some of the famous Lebanese mosaics of Beit el Dine, or the mosaics of Tiberias and Hammat, which represent the last expression of Roman art in that area before the Islamic conquest.

Formed in the half-round as a youthful female bust, a cross in the middle of the high hair arrangement (propoloma). 193 grams, 97 mm



Ex Law Professor in Alexandria, prior to 1930. Ex collection M. Bouvier, Switzerland (1901-1980).

The image of the Roman Empress during the late Roman Empire, was connected to Christianity by the figure of the Empress Helena. Constantine had several cities renamed Helenopolis in honour of his mother, Helena, and she gained the political verification of power with the status nobilissima femina in 318 and the rank of Augusta in 324. Alongside her social and political image, Helena also had a significant reputation as a good Christian who was a patron and took care of poor people. Owing to this powerful religious image that was created, all other Christian women during the Eastern Roman Empire were encouraged spiritually by the fact that Helena was the mother of the first Christian emperor, and the image of the Roman empress was connected to the Christian image of the Mother of God, and represented on weights, bronze appliques and, in this case, maybe as an upper mount of a tripod.

Slender round-section arms with integral suspension loop, raised central panel to both faces, X-motif to both. 2.53 grams, 30 mm



Acquired in Europe before 2001.