Loading, please wait...
_900x900.jpg "Byzantine Iron Horse Bit")
_200x200.jpg "Byzantine Iron Horse Bit")
.jpg "Byzantine Iron Horse Bit")
LOT 1540
Byzantine Iron Horse Bit
14TH-15TH CENTURY A.D.
7 3/4 in. (340 grams, 19.5 cm).
Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman.
ProvenanceCollection of Dr Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s.
From an important private Dutch collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
See Витлянов, С., Старобългарското въоъжение (The Old Bulgarian Armament), София, 1996, fig.1, pl.XXIV, and fig.5, for an identical example.
FootnotesThis type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of the 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Byzantine Iron Bearded Axehead with Spike
9th-11th century A.D.Sold for (Inc. bp): £312
Double-edged battle axe with broad trapezoidal blade elongated towards the bottom, with rhomboidal and blunt fixing hole shaft, the opposite end formed by a long and thick spike. 411 grams, 22.7 cm
Ex USA private collection, 1970s-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The double-edged axe was used by the Roman cavalry between the 9th and 11th centuries. The correspondence of this example with the types described by Emperor Leo VI the Wise, is surprising: it is clear that this typology was not a working tool but a war axe, suitable for breaking helmets, breastplates, shields and skulls since it inflicted devastating blows to the head and arms by damaging the protective equipment. -
Medieval Iron Triangular Axehead
Circa 15th-16th century A.D.Sold for (Inc. bp): £13
A small axe with a gently curving blade and circular socket. 163 grams, 85 mm
Ex North American private collection, 1970s-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Western Asiatic Decorated Bronze Pectoral Collar
12th-14th century A.D.Sold for (Inc. bp): £1,430
Broad sheet-bronze halter-shaped collar with dentilled outer edge, in two offset overlapped layers; bands of repoussé domed pellets to the outer and inner edges, rectangular cells to accept glass or organic inserts, two clusters of circular cells surrounding rectangular ones; the surface with dense hatching and reserved tendril and leaf motifs; attachment loops to reverse. 638 grams, 34.5 cm
German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12282-221445. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
