Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade

Lentoid in form with raised legend to obverse 'REX·SOS'; Neo-Punic monogram to reverse. 72.8 grams, 40 mm



Acquired on the UK art market, early 2000s. Property of a London, UK, antiquarian.

This remarkable slingshot offers a rare insight into a little-known period in the history of the Kingdom of Mauretania in the first century BC. The piece can be linked to King Mastanesosus, who is known to have shortened his name to “Sos.” He was the son of Bocchus I (c. 110–80s BC), the ruler who famously betrayed King Jugurtha of Numidia to Sulla and the Roman Republic. The Latin inscription reflects Rome's growing influence at the time. It may even suggest that Roman slingers were part of Sosus’s army. During this period, Mauretania was already coming under Roman control and influence. Later, Bocchus II, the grandson of Sosus, supported the winning side in Rome’s civil war, and Mauretania became a client kingdom. This eventually led to its full absorption into the Roman Empire after the murder of King Ptolemy, son of Juba, by the emperor Caligula. The reverse of the slingshot shows a monogram in neo-Punic, similar to those found on coins from the same period. This is almost certainly a personal symbol or mark of Sosus himself. The use of both Latin and Neo-Punic makes the piece bilingual, which is particularly interesting.

Comprising a tapering tubular socket with raised ribs, a triangular blade with a raised midrib; ferrel collars to the shaft. 80 grams, 18.6 cm



Ex Abelita family collection, 1980s-2000s.

These kinds of spearheads were realised by casting in a mould. They were of different lengths and used by Luristan, Hamadan, early Median and Achaemenid warriors. The bronze rings were destined to reinforce the structure of the bronze shaft, because the blow, with this spear, was usually delivered by grasping the spear with two hands.

With a lentoid-section blade, tongue-shaped in plan, with an integral tapering hilt with flared finial, lateral flanges to accept a panel of bone to each face forming the grip. 185 grams, 32.5 cm



Ex Abelita family collection, 1980s-2000s.

The art of Luristan can be described as the art of nomadic herdsmen and horsemen with an emphasis on the crafting of small, easily portable objects, among these a great number of bronze weapons. The rich and noble aristocrats of the Luristan, Elamites, Hurrians, Lullubians, Kutians, and Kassites went to battle splendidly equipped and wore magnificent bronze armour, using maces, spears and daggers as offensive weapons, alongside spears, bows and arrows.