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LOT 1100
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
9TH-11TH CENTURY A.D.
5 1/8 in. (844 grams, 13 cm).
A piriform missile with domed filler-hole (chipped), segmented flanges to the sidewall and impressed texture; intended to be filled with explosive liquid and a wick, and used as a hand grenade. [No Reserve]
ProvenanceFrom an important specialist collection, London, UK, 1990s onwards.
Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Cf. Arendt, W. I., Granaten des 13-14. Jahrhunderts, die an der Wolga gefunden sind, Zeitschrift fur Historische Waffen-und Kostumkunde, 11 (1926-8), p.42; cf. Arendt, W., Die Spharisch-konischen Gefäße aus Gebranntem Ton, ibid; cf. Ayalon, D., Gunpowder and Firearms in the Mamluk Kingdom, London, 1956, p.16.
FootnotesApart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.
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AUCTIONS:
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LOT 1100
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
Sold for (Inc. bp): £156
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Byzantine Lead Decorated Pilgrim's Holy Water Ampulla
Circa 6th-8th century A.D.Sold for (Inc. bp): £46
Formed as a miniature amphora with flared mouth, triangular handle to the shoulder, raised hatched bands to the body. 18.2 grams, 40 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Byzantine Silver Bracelet Sections with Warrior Saint and Crucifixion
6th-7th century A.D.Sold for (Inc. bp): £936
Two fragments from a military bracelet (brachiolion) comprising: a disc with double border of pellets, at the centre two standing figures of the two robbers flanking a stylised Stavrosis (crucifixion), composed of a stylised cross surmounted by the nimbate head of Christ; the other an ellipsoid panel and portion of the shank with pelta-shaped motifs flanking 'ICT' (IesouC Theou = Jesus son of God) legend, the panel with double border of pellets enclosing image of nimbate Saint George on horseback with scale armour and spearing the dragon with a long spear (doru). 9.67 grams total, 26 mm each
Ex private Dorset, UK, collection circa 1980s. Property of a London, UK, antiquarian. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13042-248494.
The importance of the depicted subject, the Stavrosis or Crucifixion, lies in its rarity. We know of very few representations of this subject in the early period of Christian art. Since the 6th-7th centuries, the iconographic type of military saints on horseback, Saint George, Saint Demetrios, Saint Theodore and Saint Sisinnios appear in the artistic milieu of the Middle East at the end of the 5th century-early 6th century AD. Among this iconography, the figure of Saint George, killer of the Dragon, stood out. The warrior saint was represented armed like a true Christian warrior of the Roman Empire, and the style of his armament here, also for comparison with similar images, points to a 6th-7th century dating, a period when the Eastern Roman Empire was still at the height of its power and exerted its influence over Eastern and Western Europe. -
Byzantine Bronze Empress Mount
5th-6th century A.D.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
Formed in the half-round as a youthful female bust, a cross in the middle of the high hair arrangement (propoloma). 192 grams, 97 mm
Ex law professor in Alexandria, prior to 1930. Ex collection of M. Bouvier, Switzerland (1901-1980). Private collection, UK.
The image of the Roman empress during the late Roman Empire was connected to Christianity by the figure of the Empress Helena. Constantine had several cities renamed Helenopolis in honour of his mother, Helena, and she gained the political verification of power with the status nobilissima femina in 318 A.D. and the rank of Augusta in 324 A.D. Alongside her social and political image, Helena also had a significant reputation as a good Christian who was a patron and took care of poor people. Owing to this powerful religious image that was created, all other Christian women during the Eastern Roman Empire were encouraged spiritually by the fact that Helena was the mother of the first Christian emperor, and the image of the Roman empress was connected to the Christian image of the Mother of God, and represented on weights, bronze appliques and, in this case, maybe as an upper mount of a tripod.
