Byzantine Gold Ring with Engraved Cross Gemstone

The translucent globular body with raised ribs running vertically around the equator, with everted neck and mouth. 29 grams, 72 mm



Ex Coincraft, London WC1. Ex private Merseyside, UK, collection. Accompanied by a Coincraft certificate of authenticity.

The frontal section of an enkolpion, with the representation of crucified Jesus among Saint Mary and Saint John; Christ dressed in a long tunic (colobium) decorated with parallel stripes (clavi) and patterned hatches, his head turned to the right; his wounds on the cross are marked by nails; the cross standing upon a small hill, identified by rare inscription 'Ο ΤΟΠΟС КРАΝΙΟΥ' (a place of a skull, Matthew 27:33), indicating Golgota; the titulum with inscription 'Ι(ΗСΟΥ)С X(ΡΙ СΤΟ)C' (Jesus Christ), and the sun (left) with the moon (right); the central inscription corresponds to the words of the Gospel of John 19:26: 'here is your son, (ΙΔΕ Ο Υ {ΙΟ} С {C}ΟΥ ) here is your Mother (ΙΔΟΥ Η ΜΗΤ{Η}Ρ CΟΥ)'. 56.5 grams, 86 mm



Formerly in a 1980s collection. Acquired on the UK art market. Previously the property of an Essex gentleman.

Usually the reliquary crosses or enkolpia, were composed of two separate halves, inside of which a relic of a saint was contained; this could have been a piece of cloth or a bone. This extraordinary piece is very rare due to containing part of the Gospel of John about the Crucifixion.

Formed in the half-round as a youthful female bust, a cross in the middle of the high hair arrangement (propoloma). 193 grams, 97 mm



Ex Law Professor in Alexandria, prior to 1930. Ex collection M. Bouvier, Switzerland (1901-1980).

The image of the Roman Empress during the late Roman Empire, was connected to Christianity by the figure of the Empress Helena. Constantine had several cities renamed Helenopolis in honour of his mother, Helena, and she gained the political verification of power with the status nobilissima femina in 318 and the rank of Augusta in 324. Alongside her social and political image, Helena also had a significant reputation as a good Christian who was a patron and took care of poor people. Owing to this powerful religious image that was created, all other Christian women during the Eastern Roman Empire were encouraged spiritually by the fact that Helena was the mother of the first Christian emperor, and the image of the Roman empress was connected to the Christian image of the Mother of God, and represented on weights, bronze appliques and, in this case, maybe as an upper mount of a tripod.