Byzantine Gold Pendant

Composed of a slender rectangular-section hoop and cruciform bezel with expanding round-section arms, central dome and granule to each quarter; accompanied by a custom-made display stand. 2.72 grams, 21.96 mm overall, 14.23 mm internal diameter (approximate size British G, USA 3 1/4, Europe 4.92, Japan 4)



Private European collection since the 1950s. Private collection, UK, 2010.

Composed of a slender carinated hoop adorned with filigree supporting a hollow-formed star-shaped bezel set with central polished cabochon garnet and granules, each of six arms pierced, remaining granule to one shoulder. 1.76 grams, 23.61 mm overall, 20.80 mm internal diameter (approximate size British S 1/2, USA 9 1/4, Europe 20.63, Japan 19)



Acquired 1990s-early 2000s. East Anglian private collection.

Divided into six sections by Christogram letters chi and rho, two of the segments with Greek letters alpha and omega, the other four segments with floral ornaments; a laurel wreath to the edge; mounted on a custom-made display stand. 84 kg total, 77 cm high including stand



From a German collection. Acquired from Germany in 2010. Ex London, UK, collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11928-209561.

This monumental sculpture was probably affixed at the top of a church façade, a type of decoration also used in the Western Romanesque art during the Middle Ages (see the sculpted Chi Rho monogram at the Monastery of San Juan de la Pena, Spain). The presence of letters alpha and omega shows a powerful link with the Christian cult, especially as the two letters are incised beside the Chi Rho. These letters are symbols of eternity of Jesus: in the final verses of the Bible, Jesus describes himself as the Alpha and the Omega, the Beginning and the End (Revelation, 22.13).