Byzantine Gold Marriage Ring with Busts

Comprising: a large octofoil harness frontal plate with beaded rim and granulation; studs with quatrefoil plates; bell-shaped dangles. 556 grams total, 11-92 mm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12687-234699.

Fragment of an icon depicting a facing saint modelled in the half-round within an arch; an ellipsoid low-relief face with hatched collar-length hair, lentoid eyes with pointillé pupils flanking a long nose; wearing a lamellar cuirass (klivanion); stylised sword (spathion) to the shoulder with lobe pommel, piriform blade with hatched median bar and undulations to the flanks (simulating damascening); arch resting on a balustered column with shallow fixing socket above the saint's head; mounted on a custom-made stand. 60 grams total, icon: 72 mm high



Jacques and Henriette Schumann collection, Paris, France. with Christie's, Paris, France, 30 September 2003, no.248. European private collection. Accompanied by a copy of French passport no.061301, dated 3 September 2003. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12690-234660. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Jacques and Henriette Schumann were distinguished Parisian collectors known for their discerning taste and passion for antiquities and decorative arts. Their collection, assembled over several decades, reflected a deep appreciation for cultural heritage and historical significance. Works from their collection have been included in major European auctions and are recognised for their provenance and quality.

Two fragments from a military bracelet (brachiolion) comprising: a disc with double border of pellets, at the centre two standing figures of the two robbers flanking a stylised Stavrosis (crucifixion), composed of a stylised cross surmounted by the nimbate head of Christ; the other an ellipsoid panel and portion of the shank with pelta-shaped motifs flanking 'ICT' (IesouC Theou = Jesus son of God) legend, the panel with double border of pellets enclosing image of nimbate Saint George on horseback with scale armour and spearing the dragon with a long spear (doru). 9.67 grams total, 26 mm each



Ex private Dorset, UK, collection circa 1980s. Property of a London, UK, antiquarian. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13042-248494.

The importance of the depicted subject, the Stavrosis or Crucifixion, lies in its rarity. We know of very few representations of this subject in the early period of Christian art. Since the 6th-7th centuries, the iconographic type of military saints on horseback, Saint George, Saint Demetrios, Saint Theodore and Saint Sisinnios appear in the artistic milieu of the Middle East at the end of the 5th century-early 6th century AD. Among this iconography, the figure of Saint George, killer of the Dragon, stood out. The warrior saint was represented armed like a true Christian warrior of the Roman Empire, and the style of his armament here, also for comparison with similar images, points to a 6th-7th century dating, a period when the Eastern Roman Empire was still at the height of its power and exerted its influence over Eastern and Western Europe.